The International Art Magazine
Prepare yourself family for when disaster strikes. Step-by step instructions on how to provide energy to your home, grow and preserve your own food, prepare a first-aid kit, make water drinkable.
Kat Emerson could really use a Christmas miracle! The aspiring singer-songwriter may have big dreams, but she has even bigger problems. Treated like a servant by her vain stepmother and self-involved stepsisters, Kat is forced into a demoralizing job as a singing elf at billionaire Terrence Wintergardenâ€TMs Santa Land. But there is one bright spot to the job: Nick, the handsome new Santa at the tree lot. When Kat gets invited to the prestigious Wintergarden Christmas Gala, her stepfamily is determined to prevent her from attending and snag their own invitation. Could an attentive dog, a loyal BFF and a sprinkling of holiday magic help turn things around for Kat? Join Laura Marano (Disneyâ€TMs Austin & Ally), Gregg Sulkin (Marvelâ€TMs Runaways) and Isabella Gomez (One Day at a Time) in this modern-day reimagining of the cherished classic, featuring original music and holiday favorites.
Most Powerful! Sometimes Graphic; the Best Anti-Crime Show of All Time! The Untouchables may have been one great show,but in its day it was just that..one of the most violent crime shows on television,but during its four year-run it was propelled into the art of TV greatness when it aired on ABC-TV!
Chicago, 1930, time of the prohibition. And it is the great time for the organized crime, the so called Mafia. One of the big bosses is Al Capone. He is the best know but at least, he was only one in a dirty game of sex, crime and corruption. People are willing to pay any price to drink alcohol, and sometimes it is their life they have to pay with. Special agent Eliot Ness and his team are trying to defeat the alcohol Mafia, but in this job, you don’t have any friends.
Loosely based on Pride and Prejudice, event planner Elizabeth Bennet is initially at odds with Mr. Darcy, the owner of Pemberley Manor, which she intends to be the venue of her next event, but soon finds herself irresistibly attracted to him.
A divorced lover of Christmas books a chalet with her mother and daughter for the holidays, there she meets a writer who despises Christmas. Together they learn the magic of Christmas and family.
Siblings Karl, Addy and Michael have a very special next-door neighbor: a wise panda named Stillwater. His friendship and stories give them new perspectives on the world, themselves, and each other.
Mark Gatiss brings the Christmas ghost story tradition back to life with The Dead Room, a chilling new tale for BBC Four. Written and directed by Gatiss, the 30-minute film tells the tale of a long-running radio horror series of the same name. Simon Callow plays Aubrey Judd, the radio series’ veteran presenter and national treasure, who finds that he must adapt to changing times and tastes. But whatever happened to the classic ghost stories? The good old days? Aubrey soon discovers that all is not quiet in the eerie radio studio – and that elements of his own past are not as dead and buried as he perhaps hoped. Mark Gatiss says, ‘The Christmas ghost story is a wonderful and vital TV tradition and one which has found its natural place on BBC Four.
A college student faces an impossible journey when he is left stranded in the desert, thousands of miles from home, with no money and only a few days left until Christmas.
Tracklist on next page
Tracklist on next page
Cynical reporter Charity (Amber Stevens West) gets the opportunity of a lifetime when her boss, Janet (Cheryl Ladd) assigns her to profile Erik Gallagher (Marco Grazzini), a handsome bachelor who organizes millions of dollars to help the less fortunate every Christmas. Erik claims his charity is all funded by Santa Claus, so Charity’s assignment is to discover where the money really comes from-something other reporters have failed to find out. Knowing this assignment could make or break her career, Charity is initially frustrated that Erik and his associates reveal hardly any information about his mysterious source of funding. But as Charity spends more time with Erik, she begins to appreciate his unwavering conviction that anything is possible if you just believe. With her article’s deadline approaching, Charity discovers the real source of Erik’s funding and must decide whether or not exposing the truth is worth ruining her newfound belief in the magic of Christmas and love for Erik.