From a long line of dancers, Clare, a longtime member of the Boston-Cambridge Ballet Company, is told by her friend and the company’s director Sarrah that not only will she not be dancing the lead in the Nutcracker this Christmas as she has done for several years, but that it is time for her to transition into other areas of the business, such as teaching or administration. Not yet mentally prepared to hang up her ballet shoes, Clare plans to spend this December preparing for audition season with other ballet troupes in January. She changes her mind in accepting an invitation from her maternal Aunt Bridget to spend Christmas with her in the house where she grew up, a twenty minute train ride from London, however she makes up a lie in telling Aunt Bridget why she can take time away from what is usually a dance filled Christmas season. Bridget herself was not being totally honest either in having ulterior motives for inviting Clare: Bridget too is planning on the next phase of her life, and in the process is both working on having her house receive a heritage designation so that it cannot be developed if she decides to sell, and figuring out what to do with her dance studio. With both items, Bridget is hoping Clare would consider taking over both. With the house, Bridget has hired a History professor, Liam, to prepare the presentation to the Heritage Committee. When Liam informs them that the presentation will take place on the only day the Committee has available, Christmas Eve, Bridget comes up with the idea to hold a traditional ball at the house to show it to the Committee like it would have been a century ago for Christmas, she asking Clare to handle the formal dance presentation, from choreographing, to coaching the dancers, to dancing in the presentation herself with someone invested in the project, namely Liam, self-professed to have two left feet. Bridget is further hoping that this project will open up Clare’s eyes to other things she has been too busy to pursue, namely romantic love, perhaps with an eligible History professor.
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It’s Always Sunny in Philadelphia is an American comedy series about four friends in their late 20s with clear sociopathic tendencies who run an unsuccessful Irish bar, “Paddy’s Pub,” in South Philadelphia. The series deals with a variety of controversial topics, including abortion, gun control, physical disabilities, racism, sexism, religion, the Israeli/Palestinian situation, terrorism, transsexuality, slavery, incest, sexual harassment in education, the homeless, statutory rape, drug addiction, pedophilia, child abuse, mental illness, gay rights and dumpster babies.
Pooh and his friends work together to rescue Santa’s lost reindeer-trainee, Holly.
When his sister asks him to look after her son, a radio journalist embarks on a cross-country trip with his energetic nephew to show him life away from Los Angeles.
Hailey attends her niece’s school recital only to learn that the beloved music teacher has vanished. Hailey soon discovers several startling secrets amongst the staff, as well as a link between the missing young teacher and the school’s reconstruction funds.
Hoping to impress his family during a Christmas visit, a hotshot Seattle attorney asks a down-on-her-luck chef to pose as his girlfriend. Their business arrangement soon gets complicated as real sparks begin to fly during the holiday season.
When Hope Calls tells the story of sisters Lillian and Grace who open an orphanage in the 1916 Western town of Brookfield. Caught between the traditions of cattle ranchers and the ambitions of a growing town, they strive to find romance and happiness while overcoming the challenges of helping the children in their care. Throughout their journey, they discover community, acceptance and love as they create the family they always longed to have. Familiar faces from Hope Valley, including Rosemary and Leland Coulter and Mountie Nathan Grant will be visiting Brookfield throughout the season.
More fun. More fashion. More faux pas. As Emily finds her footing in Paris, the fallout from a night of passion could send her stumbling into trouble.
Return to a world of two realities: one, everyday life; the other, what lies behind it. To find out if his reality is a construct, to truly know himself, Mr. Anderson will have to choose to follow the white rabbit once more.
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Feeling trapped in the stifling, wealthy enclave of Westport, Connecticut, Anders Hill (Ben Mendelsohn) retires from his job in finance and leaves his wife (Edie Falco) in the hopes that it will renew his lust for life. However, he’s quickly faced with the startling reality of his choices; he spends his days looking for things to decorate his empty shelves, sleeping with strangers and feeling terribly lost. Missing his ex-wife and on the outs with his troubled 27-year-old son (Thomas Mann), Anders befriends a drug-addicted teen (Charlie Tahan), sending him down a path of reckless and regrettable behavior. His shameful actions cause him to question who he is as a father and, ultimately, who he is as a person.