Pipa begins her career as a police detective alongside her mentor, the controversial detective Francisco Juánez. Together they must solve the violent murder of a 19 year old girl
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The crime drama is the story of a young lawyer Stella Martin (Lauren Johnson) who is drawn into the investigation of a brutally murdered woman that may have been a part of human trafficking. The lead character is a strong female with a mysterious past who becomes more enmeshed with the crime the deeper she digs into it until her own demons begin to stir. She is placed on the case by Chief Taylor (Stephen Phillips) because of her fantastic analytical skills, until she ends up butting heads with the lead detective on the case Detective Lewis (Michael Hagerman). The two must learn to put aside their personality conflicts and work together if they are going to solve the murder. Then a visit to her psychiatrist Dr. Ross (Gus van Soestbergen) goes from a simple check-up to something more insidious. While the tension and drama throughout the movie are high, the real mystery is whether the protagonist is a reliable narrator. Between her night terrors and her medicine induced state, is what …
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Actress Emma Hutton is determined to help find her friend Hope a perfect match but in doing so, she accidentally tramples on several hearts. When Emma realizes she herself has always loved her good friend Gray, Emma learns love works best when she doesn’t meddle with it. A charming romance inspired by Jane Austen’s “Emma.”
After getting ousted from his job in the NCAA for throwing a chair at a referee, a hothead men’s basketball coach Marvyn Korn must take a job at Westbrook School for Girls, a private all-girls high school, in an effort to redeem what’s left of his career and reputation. At first, Marvynsees the Westbrook players as just X’s and O’s, as a mere pitstop on his road back to college ball. At the same time, the girls don’t take themselves seriously as a team, and the Westbrook community as a whole is nothing but hostile toward him. The unemotional and stoic Marvyn Korn soon learns that teenage girls are complicated human beings who require more than just tough love and two-a-days —they need real mentorship and genuine care.
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Troy Morgan doesn’t like his family’s farm. The place creeps him out. After spotting some strange lights one evening, Troy and his little sister Carrie go to investigate the creepy barn. They roam around the large building until something in the shadows catches their eye. Startled by some loud banging the two run away in terror. But their efforts had paid off. On their video, a creature can be see lurking in the shadows. Troy posts his video to SpookTube, a supernatural video platform, where it garners a lot of attention. Now strangers, weirdo and thrill seekers are bothering the Morgan family as they try to catch a glimpse of the creature. Troy calls on SpookTube legends; the Crypto Hunters. Investigators Diego and her partner Sans respond to the call and arrive to investigate the sighting. But Troy’s family is skeptical and more than a little tired of the constant stream of visitors. But the Crypto Hunters have a reputation for getting things done. But will allowing the Crypto …
The nightmare begins when a teacher takes his students on a field trip to an obscure ghost town that may be haunted.
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Realising his secret girlfriend Dorothy’s pregnancy will sour her relations with her ultra-rich father, career-minded Philadelphia student Jonathan Corliss coolly murders her, making it look like suicide. He then moves to New York to woo her twin sister Ellen. All seems to go well for him, although Ellen’s continued investigations into what she is convinced was not a suicide forces him to kill again.
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These 3 minute episodes fill in the Larger tapestry of The Star Wars Universe with Little Acts of heroism from our Heroes/ Heroines of Star Wars. They are small moments and everyday decisions shape a larger heroic saga.
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With this nuanced and interdisciplinary work, political theorist Mihaela Mihai tackles several interrelated questions: How do societies remember histories of systemic violence? Who is excluded from such histories’ cast of characters? And what are the political costs of selective remembering in the present? Building on insights from political theory, social epistemology, and feminist and critical race theory, Mihai argues that a double erasure often structures hegemonic narratives of complex violence: of widespread, heterogeneous complicity and of “impure” resistances, not easily subsumed to exceptionalist heroic models. In dialogue with care ethicists and philosophers of art, she then suggests that such narrative reductionism can be disrupted aesthetically through practices of “mnemonic care,” that is, through the hermeneutical labor that critical artists deliver—thematically and formally—within communities’ space of meaning. Empirically, the book examines both consecrated and marginalized artists who tackled the memory of Vichy France, communist Romania, and apartheid South Africa. Despite their specificities, these contexts present us with an opportunity to analyze similar mnemonic dynamics and to recognize the political impact of dissenting artistic production. Crossing disciplinary boundaries, the book intervenes in debates over collective responsibility, historical injustice, and the aesthetics of violence within political theory, memory studies, social epistemology, and transitional justice.
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Public Corruption in the United States provides a comprehensive view of public corruption, including discussion on its types, methods, trends, challenges, and overall impact. It is the first book of its kind to examine in plain language the breadth of criminal public corruption in the United States, not just at a superficial level, but in a deeper context. By critically examining acts of corruption of elected, appointed and hired government officials (legislators, law enforcement, judges, etc.) at the local, state, and federal levels, the reader gains insight into the inner workings of corruption, including its relationship to terrorism and organized criminal networks.
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This first book-length exploration of geographical engagement with puppets examines constructions of puppets in contemporary popular British culture and considers the various ways in which puppets and humans (not just puppeteers) are unified in diverse cultural media.
