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Reservation Dogs follows four Native teenagers in rural Oklahoma who spend their days committing crime… and fighting it.
The bond between two friends seems unbreakable until lies, backstabbing, and betrayal turn a friendship into a gruesome nightmare. Friends who are at one time devoted to each other have things go horribly, and then fatally, wrong. Revenge plots turn fatal, bitter love triangles break hearts and very public online feuds erupt, resulting in deadly outcomes no one could predict.
Vikings: Rise and Fall” follows a crucial change of perspective. The series looks at the history of the Norsemen from the perspective of Norse mythology and at the same time provides insights into the latest bioarchaeological investigations. The range of topics ranges from the attack on the northern English monastery of Lindisfarne and the founding of Kievan Rus to the siege of Constantinople, the journey to America and the conquest of the English kingdom in 1066.
Simba idolises his father, King Mufasa, and takes to heart his own royal destiny. But not everyone in the kingdom celebrates the new cub’s arrival. Scar, Mufasa’s brother—and former heir to the throne—has plans of his own. The battle for Pride Rock is ravaged with betrayal, tragedy and drama, ultimately resulting in Simba’s exile. With help from a curious pair of newfound friends, Simba will have to figure out how to grow up and take back what is rightfully his.
This book examines how a predominantly negative view of community has presented a challenge to critical analysis of community performance practice. The concept of community as a form of class-based solidarity has been hollowed out by postmodernism’s questioning of grand narratives and poststructuralism’s celebration of difference. Alongside the critique of a notion of community has been a critical re-signification of community, following the thinking of philosopher Jean-Luc Nancy who conceives of community not as common being but as being-in-common. The concept of community as being-in-common generates questions that have been taken up by feminist geographers, J.K. Gibson-Graham, in theorising a post-capitalist approach to community-based development. These questions and approaches guide the analyses in researched case studies of community performance practice. The book revises theoretical debates that have defined the field of community theatre and performance. It asks how the critical re-signification of community aligns with these debates and, at the same time, opens new modes of critical analysis of community theatre and performance practice.
Spiders are super predators and devour everything they can overpower. To do this, they have developed incredibly good catching techniques and, with spider silk, a tool that makes material technology green with envy. The males are usually smaller than the females and, in order to have sex, they have to come up with a lot to avoid being misunderstood as easy prey: Dancing, drumming, and gifts almost always help. Spiders use their venom in very precise doses, and since humans are not on their menu, they are harmless to us. Many people’s (unnecessary) fear of spiders finds cultural roots as early as the Middle Ages. Nevertheless, spider fear is easily treatable. There is no habitat or building without spiders. And that’s a good thing, because spiders have fascinating properties and their world is full of surprises. Everything you need to know about them is explained in this book in understandable language by experts for laymen. In addition, some of the most common spider species in the house and garden are briefly presented with tips for observation.