Unquestionably, this is a superbly crafted film, provoking a visceral response that’s powerful enough to boil your blood. By the time Hayes erupts in an explosion of self-defensive violence, Parker and Stone have proven the power – and danger – of their skill. Their film is deeply manipulative, extremely xenophobic, and embellishes reality to heighten its calculated impact. Is that a crime? Not necessarily, and there’s no doubt that Midnight Express is expertly directed and blessed with exceptional supporting performances (especially from John Hurt as a long-term prisoner). Still, it’s obvious that strings are being pulled, and Parker, while applying his talent to a nefarious purpose, is a masterful puppeteer.
