Cooperative Evolution offers a fresh account of evolution consistent with Charles Darwin’s own account of a cooperative, inter-connected, buzzing and ever-changing world. Told in accessible language, treating evolutionary change as a cooperative enterprise brings some surprising shifts from the traditional emphasis on the dominance of competition. The book covers many evolutionary changes reconsidered as cooperation. These include the cooperative origins of life, evolution as a spiral rather than a ladder or tree, humans as a part of natural systems rather than the purpose, relationships between natural and social change, and the role of the individual in adaptive radiation onto new ground. The story concludes with a projection of human evolution from the past into the future.
Although Martin Heidegger is nearly as notorious as Friedrich Nietzsche for embracing the death of God, the philosopher himself acknowledged that Christianity accompanied him at every stage of his career. In Heidegger’s Confessions, Ryan Coyne isolates a crucially important player in this story: Saint Augustine. Uncovering the significance of Saint Augustine in Heidegger’s philosophy, he details the complex and conflicted ways in which Heidegger paradoxically sought to define himself against the Christian tradition while at the same time making use of its resources.
This book is the first comprehensive study of late-Georgian church-building. After centuries of post-Reformation inactivity, the Church of England began to address the desperate shortage of accommodation and build on a huge scale. Almost all the leading architects were involved and, amongst approximately 1500 new churches there are some outstanding designs; buildings of the very highest order architecturally.
The inhabitants of early medieval Britain and Ireland shared the knowledge that the region held four peoples and the awareness that they must have originally come from ‘elsewhere’. The Origin Legends of Early Medieval Britain and Ireland studies these peoples’ origin stories, an important genre that has shaped national identity and collective history from the early medieval period to the present day.
Robert and Elizabeth were young sweethearts in the 1940s with a picture perfect romance. Then a silly argument set off a chain of events altering their paths for eternity and leaving Robert’s heart to spend decades longing for the one true love it simply cannot forget.
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This film, adapted from a work of fiction by author Tracy Chevalier, tells a story about the events surrounding the creation of the painting “Girl With a Pearl Earring” by 17th century Dutch master Johannes Vermeer. Little is known about the girl in the painting, it is speculated that she was a maid who lived in the house of the painter along with his family and other servants, though there is no historical evidence. This masterful film attempts to recreate the mysterious girl’s life. Griet, played by Scarlett Johansson, is a maid in the house of painter Johannes Vermeer, played by British actor Colin Firth. Vermeer’s wealthy patron and sole means of support, Van Ruijven, commissions him to paint Griet with the intent that he will have her for himself before it is finished. She must somehow secretly pose for the crucial painting without the knowledge of Vermeer’s wife, avoid Van Ruijven’s grasp, and protect herself from the cruel gossip of the world of a 17th century servant.
When a successful country lawyer captures and attempts to “civilize” the last remaining member of a violent clan that has roamed the Northeast coast for decades, he puts the lives of his family in jeopardy.