As a sex worker (Liberty) desperately searches for housing after recently discovering she is pregnant, her ex-boyfriend/pimp (King) battles with supporting his family. Meanwhile, an undocumented teen (Augustin) struggles to survive while he sleeps on the streets of East Oakland and is pursued by a bully who he encounters in a homeless shelter. Lastly, we follow the story of Wei-Ling whose son Jimmy must now find the money to support his Father who dies of a heart attack while collecting cans.
Faced with the zombie apocalypse overrunning her town, Skye and her few remaining friends seek refuge in the only remaining house not swarming with zombies.
Making a rare foray into rock ’em, sock ’em action territory, Hawke plays a CIA agent who sacrifices everything for his employers, including his family and, ultimately, his own life. No sooner has he shuffled off this mortal coil, though, than he finds himself mysteriously resurrected for one last mission that’s timed to last exactly 24 hours. Once the countdown clock embedded in his arm reaches zero, he’ll once again nod off into an eternal slumber if he hasn’t completed his task. Before that happens, expect him to wreak bloody havoc on both his targets and his former CIA minders.
A violent patient escapes an asylum to exact her revenge on a unsuspecting young couple.
On the edge of Compton, California- a place notorious for gang violence-a hidden band of inner-city cowboys has persevered since the 1800’s. FIRE ON THE HILL is the story of the Black Cowboys of Compton and South Central LA, and their fight to preserve their culture by resurrecting an inner city horse stable that was mysteriously burnt to the ground.
An aimless teenager on the outer edges of Brooklyn struggles to escape his bleak home life and navigate questions of self-identity, as he balances his time between his delinquent friends, a potential new girlfriend, and older men he meets online.
Father Eion O’Donnell is unambiguous about the need to use violence to force Britain out of Ireland. He influences a young impressionable boy, Antaine to fight in the 1916 Rising. Fifty years later Antaine arrives in Derry as an experienced gunman. This appearance throws Eoin back to the cause of his breakdown in 1916. Eoin’s influence on young Antaine echoes in Antaine’s dark influence on an Altar boy, Feidhlim.
After a young boy is almost runover by a maniac on a highway, a re-encounter and confrontation by the boy’s father with the driver sets off conflicts with a carful of maniacs.
Adapted by Ian McEwan from his bestselling novel, the drama centers on a young couple of drastically different backgrounds in the summer of 1962. Following the pair through their idyllic courtship, the film explores sex and the societal pressure that can accompany physical intimacy, leading to an awkward and fateful wedding night. The film stars Saoirse Ronan, Billy Howle, Anne-Marie Duff, Adrian Scarborough, Emily Watson, and Samuel West.
Ghosts aren’t real. That’s why Drexler Faust and his Beyond the Shadows crew fake them for their show. Wanting more fans, Drex and the gang head to the Chetco River Lodge to explore the paranormal activity of the massacred Native spirits from before. The only problem this time – the ghosts are REAL.
In 1958, with the impending completion of Tokyo’s TV broadcasting tower as a symbol of Japan’s escalating post-war economic recovery, rural schoolgirl Mutsuko (Maki Horikita) arrives from the provinces to begin her first job with Suzuki Auto. Initially impressed by meeting company “president” Norifumi Suzuki (Shinichi Tsutsumi), Mutsuko is shocked to discover her workplace is actually a shabby auto repair shop in Tokyo’s down-at-heel Yuhi district.
Los Angeles, 1928. A single mother returns from work to find her nine-year-old son gone. She calls the LAPD to initiate a search. Five months later, a boy is found in Illinois who fits the description; he says he’s her son. To fanfare and photos, the LAPD reunite mother and son, but she insists he’s not her boy. The cops dismiss her as either a liar or hysterical. When she joins a minister in his public criticism of the police, they in turn use government power to silence and intimidate her. Meanwhile, a cop goes to a dilapidated ranch to find a Canadian lad who’s without legal status; the youth tells a grisly tale. There’s redress for murder; is there redress for abuse of power?
