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THE NIGHTINGALE is a meditation on the horrors of Australian colonization, set at the turn of the 19th century. The film follows Clare, a 21-year-old native Irish wife and mother held captive beyond her 7-year sentence, desperate to be free of her obsessed master, British lieutenant Hawkins. Clare’s husband Aidan intervenes with devastating consequences for all. When British authorities fail to deliver justice, Clare pursues Hawkins, who leaves his post suddenly to secure a captaincy up north. Unfamiliar with the Tasmanian wilderness she enlists the help of an orphaned Aboriginal tracker Billy. Marked by their traumas, the two fight to overcome their distrust and prejudices against the backdrop of Australia’s infamous ‘Black War’.
Whilst his mother seeks treatment in rehab, teenager Nick (Wolff) comes to New York to stay with Cal (Epps), a Jazz musician friend of his late father’s. During his stay he makes friends who show him what the city has to offer.
At the heart of the film is Don Koch (CM Punk), a man who is failing as a husband. For years he has skated by on charm and charisma, until it nearly landed him in jail. He now views fixing up an old house as a chance to make up for past mistakes. Meanwhile, his wife, Liz Koch, is concerned about the renovation timeline as they have a baby on the way. With all this pressure it’s no wonder Don responds to the flirtations of an attractive stranger. As Don tears the house apart, it begins to tear him apart as well, revealing the rot behind the drywall.
Based on his own life story, Adewale Akinnuoye-Agbaje’s FARMING charts the extraordinary journey of a young Nigerian boy who is fostered (Farmed) out to a white couple, struggles to find an identity, and falls in with a skinhead gang in 1980’s England. Told with brutal honesty, FARMING is an unflinching autobiographical portrait of a young man who must battle the odds and realize that, in a world of hate, his toughest battle will be learning to love himself.