The drama from Andrew Cymek follows city girl Nancy Taylor (newcomer Madeline Merlo) who meets Charlie Bishop (Munro Chambers) on her way to a party in the country. He returns with her to the city where her music career is beginning to flourish, and despite the reservations of her best friend Ainsley (Sophie Tweed-Simmons), their romance continues.
Robbie Knievel, 52 and the owner of 20 world records and 350 jumps worldwide, life is uncovered through his personal pursuit of sobriety and the need of continuing his father’s legacy by jumping once again.
Just as 18-year-old Londoner Erin (Foy) sets off to spend summer in Israel with her best friend, Eliza (Weeks), she unearths an old diary belonging to her seriously ill grandfather, Len (Cooke). Intrigued by the life of this old man she barely knows, she takes the diary with her, and is stunned to learn of his part in the post-WWII British peace-keeping force in what was then Palestine. Left to her own devices when Eliza begins National Service in the Israeli army, Erin witnesses the complexities of life–for both Jews and Arabs–in this troubled land. And as Len’s story comes to life from the pages of the diary, Erin discovers the disturbing truths about his time in Palestine and the atrocities he witnessed in the 1940s. Retracing Len’s steps in modern-day Israel, Erin sets out on a heart-breaking journey in an effort to understand and fulfil a promise made by her grandfather over 60 years ago.
Yearning for escape and adventure, a young boy runs away from home and sails to an island filled with creatures that take him in as their king.
In Nablas on the West Bank, Said and Khaled, who have volunteered to be suicide bombers, receive word it will be tomorrow – the cell’s first operation in two years. They’re shaven and shorn, in black suits to pose as settlers in Tel Aviv for a wedding. Something goes wrong at the crossing, they’re separated, and the action is postponed, long enough for renewed questioning of what they’re about to do. Suha, the well-educated and well-traveled daughter of a martyr, challenges the action. She likes Said and has her own ideas. “Under the occupation, we’re already dead,” is Khaled’s analysis. Fate and God’s will seem to drive Said. We must be moral, argues Suha. Can minds change?
