A no holds barred take on 21st century love, sex, and emotional baggage.

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In Miami, two hustlers on the run set up a credit fraud operation that soon attracts the attention from the police and the city’s top criminals.

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Inner city kids from a poor neighborhood go up against the undefeated Beverly Hills Junior National Karate Team.

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300 mph winds toss ships like bathtoys as an enormous cyclone threatens the entire eastern seaboard. A lone meteorologist and petroleum engineer must battle the elements to stop the threat.

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Fresh, original and surprising! Redemptive and thought-provoking, this movie raises questions about women and men, sex and relationships. It will make you laugh and cry, and understand why men fall in love…

His world in complete disorder after his break-up with a famous actress, Carter, a young soft-core porn writer, goes to suburban Detroit to care for his sickly Grandmother and heal his broken heart. Along the way he forms a special bond with the family that lives across from his Grandma, and changes the life of each woman. In the course of this, as is required in every film–and thus the world, he changes his own life as well.

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Paranormal Extremes: Text Messages from the Dead explores the mysterious phenomenon of communication between the land of the living and the world of the dead. A beautiful Las Vegas showgirl has always felt a connection with the spirit world. After her fiancee dies in a tragic accident, she begins receiving foreboding messages on her cell phone. She soon realizes that these messages must be from her dead lover, who is contacting her from the other side. This tale of love, death, and the afterlife was created by grindhouse filmmaking legend Ted V. Mikels. One of the most wildly eccentric writer directors of all time, he is well remembered for such 42nd Street shockers as The Astro Zombies (1968) and The Corpse Grinders (1971). His exploits were documented in the film The Wild World of Ted V. Mikels. At age 85, he is also the oldest independent filmmaker still active in the industry. Gorgeous runway model Colie Knoke makes her film debut in Paranormal Extremes: Text Messages from the Dead. Making her second appearance in a Mikels’ film is Beverly Washburn, best known for the cult favorite Spider Baby (1967) and her appearances on classic television programs like The Jack Benny Show, Adventures of Superman, and Star Trek.

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A woman’s haunting visions reveal a Catholic priest’s sinister plot to silence her mother from speaking the truth about the atrocities that took place at her Native American boarding school. A contemporary drama of suspense, Older Than America delves into the lasting impact of the cultural genocide and loss of identity that occurred at these institutions across the United States and Canada.

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Robin Wright, a Hollywood actress who once held great promise (?The Princess Bride?, ?Forest Gump?), receives an unexpected offer in mid-life: Mirramount Studios want to scan her entire being into their computers and purchase ownership of her image for an astronomical fee. After she is scanned, the studio will be allowed to make whatever films it wishes with the 3-D Robin, including all the blockbusters she chose not to make during her career. As if that were not inducement enough, the studio promises to keep the new 3D Robin forever young in the movies. She will always be thirty-something, a stunning beauty who never grows old. In return, Robin will receive tons of money but shell be forbidden to appear on any kind of stage for all eternity. Despite her deep internal resistance, Robin eventually signs the contract, since she understand that in the economy of scanned actors, its her only way to stay in the business, but even more crucial, Robin can give her son Aaron, who suffers from a rare disorder, the best treatment money can buy. The contract is valid for 20 years.

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From acclaimed writer/director Jeff Nichols, Loving celebrates the real-life courage and commitment of an interracial couple, Richard and Mildred Loving (portrayed by Joel Edgerton and Ruth Negga), who married and then spent the next nine years fighting for the right to live as a family in their hometown. Their civil rights case, Loving v. Virginia, went all the way to the Supreme Court, which in 1967 reaffirmed the very foundation of the right to marry – and their love story has become an inspiration to couples ever since.

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Jessica Santiago (Julia Montes) and Ana Bartolome (Kathryn Bernardo) are two sisters who have lived in separate lives for 12 long years. Jessie, though an excellent student, has grown to feel sorrow of Ana’s lost while Ana, not knowing that she’s an orphan, grew up in a far-flung fishing village. When they meet in a swimming competition, the Santiagos exert effort to bring Ana back. But when Ana returns home, Jessie feels more abandoned & lovelorn. With their relationship turning sour, Jessie’s life is terribly put in danger. In the end, the two sisters find home where their hearts truly lie.

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Party-girl Nora drinks too much, can’t hold down a job and pushes away everyone she loves. After her long-suffering boyfriend throws her out, Nora is forced to move back home with her aging father. Once inside her childhood home, the ghosts of her past begin to haunt her until the secret she has buried for so long is finally revealed.

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A series of horrifying murders, the victims, always couples, staged in bizarre collage dioramas with cardboard cutouts and scribbled, childlike messages about the corrupting power of love. The killer’s on the loose, and the FBI is looking for a truck driver. Emery Reed is a long haul trucker disillusioned with the American Dream after an accident left his wife paralyzed and took the life of their son. Newlyweds Jeff and Krissy are having the time of their lives until their car breaks down on a rural road in the middle of nowhere. When the love birds collide with the forlorn truck driver, a wild ride leaves everyone questioning the true value of love and American Romance.

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