Back in the 80s, five friends cause raucous in their schooldays. Twenty years on and they’ve got jobs they don’t want and wives who don’t want them. The leader of the gang, Frankie, is now dying in Yorkshire. The others find out and they get together for one last sad, mad, bad road trip to Dewsbury, before it’s all too late. Mix in a dollop of The Inbetweeners’ intellectual wit, add a pinch of bromancing from The World’s End, and then stir in a few ladles of The Hangover’s vomit and you’ve got Destination: Dewsbury, destined to be one of 2018’s funniest releases.

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Winona Applegate is on the fast track to becoming a celebrity chef, already running a very successful bistro in Pittsburgh. With nerves building, she leaves for New York to audition for her own show in front of television executives. Unfortunately, her car breaks down near New Holland, a small, quirky town where Winona rents a room at a local inn run by Adam, a widower. With the local Spring Festival coming up and the resident cook unavailable to manage the menu, Winona agrees to get her car fixed in time for her audition in exchange for her much needed help in the Inn’s kitchen. As she prepares for the festival with Adam, Winona begins to fall in love with New Holland and one of its residents as well.

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In January, 2015, American rock climbers Tommy Caldwell and Kevin Jorgeson captivated the world with their effort to climb the Dawn Wall, a seemingly impossible 3,000 foot rock face in Yosemite National Park, California. The pair lived on the sheer vertical cliff for weeks, igniting a frenzy of global media attention. But for Tommy Caldwell, the Dawn Wall was much more than just a climb. It was the culmination of a lifetime defined by overcoming obstacles. At the age of 22, the climbing prodigy was taken hostage by rebels in Kyrgyzstan. Shortly after, he lost his index finger in an accident, but resolved to come back stronger. When his marriage fell apart, he escaped the pain by fixating on the extraordinary goal of free climbing the Dawn Wall. Blurring the line between dedication and obsession, Caldwell and his partner Jorgeson spend six years meticulously plotting and practicing their route. On the final attempt, with the world watching, Caldwell is faced with a moment of truth. …

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A secretive hacktivist group named KAOS seemingly hacks whatever program the viewer has been watching. The KAOS representative is dressed in a hip suit and is wearing a skull mask, it feels like the nightly news broadcast with a dark twist. The audience is told that what they are about to view is top secret video footage found hidden in the Edward Snowden files.

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Julia, divorced and successfully self-employed, seems to have it all – except the right guy in her life. Her friends urge her to “get back out there.” But they don’t yet know about Scott – a charming man with a secret background whose true colors paint a streak of pain and fear through Julia’s life. When Scott’s effect on Julia reaches the breaking point, she and her friends take matters into their own hands… and underestimate the consequences. The outcome forces all of them into a desperate situation. Everyone pays the price.

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A childhood prank comes back to haunt a clique of South Central Los Angeles teens when their victim returns home during their high-school Homecoming weekend.

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It’s not the destination wedding that matters, but the journey the hapless videographers have trying to capture it.

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In 1906, on Oklahoma’s Indian lands, a cowboy fights for oil lease rights against a greedy oilman while a pretty schoolteacher steals both men’s hearts.

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Quentin Tarantino’s 8th film “Django Unchained” is one hell of a movie. A brutal, bloody, terrifying, hilarious and awe-inspiring western disguised as a buddy movie that is so great that if John Wayne and Sergio Leone were alive now, they would’ve approve of this movie.

Former dentist, Dr. King Schultz, buys the freedom of a slave, Django, and trains him with the intent to make him his deputy bounty hunter. Instead, he is led to the site of Django’s wife who is under the hands of Calvin Candie, a ruthless plantation owner.

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Follows a college student embroiled in a series of mysteries, all that threaten to engulf his young life.

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Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration. Milo is a railroad brakeman, his wife a painter. They have some poet friends who spend a good bit of time hanging out at their apartment. When Milo and his wife are visited by their bishop, they naturally would like their friends to be on their best behavior. But poets will be poets.

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A boy is haunted by nightmares where a monster lurks inside the closet. To his relief, his father helps him to face his fears.

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