Best “Monster FX” in years! At first glance, The Host looks like any other monster movie – IT IS ANYTHING BUT… there’s actually much, much more going on beneath the surface. The Host is fast moving, with plenty of action and a truly gruesome-looking monster. Visually, it’s a gorgeous movie with stunning special effects, beautiful settings and unique and great storyline.

The story focuses on one small family and how they react to the weird goings-on all around them. When the youngest member of the family, Hyun-seo, is snatched by the titular monster, the family is devastated until a call from her mobile phone gives them fresh hope. Then the American army steps in, and all hell breaks loose… It’s a very original idea, with nuanced and well-written characters, plenty of humour, and a darker undercurrent of social and political commentary, topped off with a thrilling monster-killing adventure. Brilliant, in other words.

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Youngsters from different countries, races, and social background are forced to integrate when they all enroll in Columbus University. They all have their own problems, such as finance, harrassment, personal safety, and self doubt. Additionally, campus life seems to be causing a problem for everyone: racism. Students, already under pressure to perform in the classroom, on the track, or in front of their friends, are strained to the breaking point by prejudice, inexperience, and misunderstanding.

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In Norway on 22 July 2011, right-wing terrorist Anders Behring Breivik murdered 77 young people attending a Labour Party Youth Camp on Utøya Island outside of Oslo. A three-part story. About the survivors of the attacks, the political leadership of Norway, and the lawyers involved.

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A suspenseful and gripping psychological thriller, Lynne Ramsay’s We Need To Talk About Kevin explores the fractious relationship between a mother and her evil son. Tilda Swinton, in a bracing, tour-de-force performance, plays the mother, Eva, as she contends for 15 years with the increasing malevolence of her first-born child, Kevin (Ezra Miller). Based on the best-selling novel of the same name, We Need To Talk About Kevin explores nature vs. nurture on a whole new level as Eva’s own culpability is measured against Kevin’s innate evilness. Ramsay’s masterful storytelling simultaneously combines a provocative moral ambiguity with a satisfying and compelling narrative, which builds to a chilling, unforgettable climax.

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The Phantom, descendent of a line of African superheroes, travels to New York City to thwart a wealthy criminal genius from obtaining three magic skulls which would give him the secret to ultimate power.
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Two friends on a horror-fueled road trip and livestream the most terrifying night of their lives.

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George Michael winds down his 25 Live tour in his first-ever concert film, which finds the former Wham! leading man revisiting hits familiar and fresh in two sold-out shows at London’s Earls Court. Michael’s impeccable vocals take center stage, and his pop-song prowess is driven home with such classics as “Faith,” “Freedom” and “One More Try.” Even “Careless Whisper” gets a nod, as does the Police’s “Roxanne.”

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A drama centered on the efforts of John and Aileen Crowley to find a researcher who might have a cure for their two children’s rare genetic disorder.

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As corruption grows in 1950s LA, three policemen – one strait-laced, one brutal, and one sleazy – investigate a series of murders with their own brand of justice.

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Martin Blank is a professional assassin. He is sent on a mission to a small Detroit suburb, Grosse Pointe, and, by coincidence, his ten-year high school reunion party is taking place there at the same time.

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Named “the best horror anthology since Trick ‘r Treat” by Fangoria and “among the best Halloween-themed horror movies ever made” by DailyDead, this critically acclaimed film weaves together ten chilling tales from horror’s top directors. Ghosts, ghouls, monsters, and the devil delight in terrorizing unsuspecting residents of a suburban neighborhood on Halloween night.

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A couple’s attitudes are challenged when their daughter introduces them to her African-American fiancé.

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