A misplaced suitcase unites a fired tech marketer and a disgraced newsman, and they must abandon their hardened hearts to get back to the lives they had, and find love they never knew.
A misplaced suitcase unites a fired tech marketer and a disgraced newsman, and they must abandon their hardened hearts to get back to the lives they had, and find love they never knew.
Alabama Jones, Oklahoma Jones, and California Jones are three sexy adventurers who hunt ancient treasures for a museum curator. They manage to defeat the floating flaming skulls that had killed previous treasure hunters and take the idol of Punani. Their next assignment is to find a drunken tracker named “Jungle Bill” and convince him to lead them to the Golden Mango of Tantu. During their quest they encounter sexy jungle goddesses, gorillas, natives, a hunky jungle man, a giant scorpion, lost aviator Amelia Airhead, and others while pausing frequently to enjoy erotic delights.
Donald Woods is chief editor at the liberal newspaper Daily Dispatch in South Africa. He has written several editorials critical of the views of Steve Biko. But after having met him for the first time, he changes his views. They meet several times, and this means that Woods and his family get attention from the security police. When Steve Biko dies in police custody, he writes a book about Biko. The only way to get it published is for Woods himself to illegally escape the country.
A romantic drama in the backdrop of Christmas time in Wisconsin, revolving around two college sweethearts who rekindle their love during the holiday season.
After burying their father earlier during the year, two sisters have to make Christmas happen without falling in an argument. An unexpected twist will arrive at the festivities.
When motocross and heavy metal obsessed thirteen-year-old Jacob’s increasing delinquent behavior forces CPS to place his little brother, Wes, with his aunt, Jacob and his emotionally absent father, Hollis, must finally take responsibility for their actions and for each other in order to bring Wes home.
After miraculously remaining 29 years old for almost eight decades, Adaline Bowman has lived a solitary existence, never allowing herself to get close to anyone who might reveal her secret. But a chance encounter with charismatic philanthropist Ellis Jones reignites her passion for life and romance. When a weekend with his parents threatens to uncover the truth, Adaline makes a decision that will change her life forever.
WILD ORCHID was surrounded by controversy that the sex scenes between Carre Otis and Mickey Rourke were not faked. Most people think its some smut movie with no plot. No one ever looks between the lines. Yes it has plenty of sex, and a simple plot, but the theme of it is important. True love.
Model and subsequent Mickey Rourke squeeze Carré Otis plays a brilliant young attorney–well, we’re told she’s brilliant, although watching her in action, straining to wrap those puffy lips around her legalese dialogue, definitely conjures up other adjectives. She’s dispatched to Rio de Janeiro under the guise of real-estate law and ends up seduced both by the exotic culture and by a brooding, highly misunderstood and frighteningly orange-skinned multimillionaire (Rourke). Kinky (for the time) sex games and deliriously mannered dialogue make this a rather pretentious exercise, unleavened by any truly erotic sensuality.
Brothers – older Stephen and three years junior Bloom – have been con artists since they were kids. Stephen is the mastermind, for who the intricacy of the story used in the con is as important as the positive outcome of the swindle. Bloom is the main character of Stephen’s stories, the character he considers the anti-hero. As adults, they travel the world and never enlist the same people twice in their cons, except for their consistent sidekick, the mysterious and primarily silent Bang Bang, a Japanese woman who just appeared in their lives one day and who has a penchant for blowing things up.
The hyperactive red-headed bird enters a turf war with a big city lawyer wanting to tear down his home in an effort to build a house to flip.
In the vein of a Christmas Carol, Sloane Spencer, a high powered PR agent, is forced to look at her past, present and future love life, led by her ex-client, party-girl starlet Caitlin Quinn.
After narrowly escaping an ancient burial ground, long forgotten and buried underneath the marshes of Cape Cod, a group of friends emerge from the thick, marshy darkness, tattered and bloody, lucky to be alive. They have already lost two of their friends in the marsh, presumably dead. They stumble upon an empty Cape Cod vacation house alongside the foggy marsh and break in to take shelter. Whatever was in the marsh is still after them and soon after one of them goes for help, the rest of the group learns that the evil in the marsh is not the only thing that wants them dead. Something worse, something more savage, was lying in wait just outside the marsh, in the house. What happens next is unspeakable, horror that cannot be unseen. These unlucky travelers spend their St. Patrick’s Day trapped between two evils forcing them to fight, die, or go back the way they came.