On their last day of summer, four high-school girls confront sex, violence and their uncertain future as they struggle to reconcile a rebellious youth with impending adulthood.

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Now a detective-for-hire, Enola Holmes takes on her first official case to find a missing girl as the sparks of a dangerous conspiracy ignite a mystery that requires the help of friends – and Sherlock himself – to unravel

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England, 1884 – a world on the brink of change. On the morning of her 16th birthday, Enola Holmes (Millie Bobby Brown) wakes to find that her mother (Helena Bonham Carter) has disappeared, leaving behind an odd assortment of gifts but no apparent clue as to where she’s gone or why. After a free-spirited childhood, Enola suddenly finds herself under the care of her brothers Sherlock (Henry Cavill) and Mycroft (Sam Claflin), both set on sending her away to a finishing school for “proper” young ladies. Refusing to follow their wishes, Enola escapes to search for her mother in London. But when her journey finds her entangled in a mystery surrounding a young runaway Lord (Louis Partridge), Enola becomes a super-sleuth in her own right, outwitting her famous brother as she unravels a conspiracy that threatens to set back the course of history.

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Having awoken from their spring break extravaganza at Lake Victoria, the swarm heads upstream where they look to make a meal out of Big Wet, a local water park where when it comes to fun, nobody does it wetter! Though they came to get wet, get loaded and get some, the staff and patrons get more than they bargained for when they must face the fiercest, most bloodthirsty piranhas yet. Lead by the strong-willed, studious Maddy and her friends, Barry and Kyle, the trio must dive in and take on these man-eating creatures using every ounce of their being but can they be stopped?

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Josh and Blue head to New York City to audition for a big Broadway musical.

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Set in the treacherous frontier city of Samurai Town where a ruthless bank robber is sprung from jail by wealthy warlord The Governor, whose adopted granddaughter Bernice has gone missing. The Governor offers the prisoner his freedom in exchange for retrieving the runaway. Strapped into a leather suit that will self-destruct within three days, the bandit sets off on a journey to find the young woman and his own path to redemption.

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Pete is cautiously excited about reuniting with his college crew for a birthday weekend. But, one by one, his friends slowly turn against him. Is he being punished, is he paranoid, or is he part of some sick joke?Plot summaryPlot synopsis

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Sex Fashion and Disco is a documentary film concerning Antonio Lopez (1943-1987), the most influential fashion illustrator of 1970s Paris and New York, and his colorful and sometimes outrageous milieu.

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With the world’s end imminent, a dying mother sends her young son on a journey to the place which grants wishes. The film’s inspired by the works of 13th century Sufi mystic and poet, Rumi.

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When Lee Jin-woo rescued Su-eun from a fire they both defied the odds in surviving. He fell in love with her older sister, Soo-jeong Lim, who now desires the brave fireman to propose marriage thinking that this will make him less fearless in facing the flames and lessen her greatest fear. He wishes to do so, but his romantic streak causes him to seek the proper moment. Su-eun works as a “character” in an amusement park. Her face was scared in the fire, and in addition she is a deaf mute. Feeling free to be more forward when in costume behind a large “Raggedy-Ann” head, she approaches a handsome artist who frequents the park to paint. He starts to come infatuated with her, despite never having seen her face or heard her voice. She starts to fall in love with him. Choi Suk-hyun informs her boyfriend, Jung Ha-seok, that she wishes to break up for he is still unemployed after 3 years and she cannot face a future of poverty. He vows to get a job to reverse her feelings, and when a stranger…

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When a handyman living in New York City is mistaken for a famous and famously reclusive writer, he’s brought to a university where he is to deliver a keynote address to save the school’s literary festival.

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Yorgos Lanthimos’s movies love to flirt ‘often comically’ with horror: the fear that behind the façade of society is a gaping maw of existential terror. In this dastardly short, a shrewdly cast Matt Dillon realizes that no role in life is irreplaceable. Suddenly, nothing is safe not even ourselves.

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