Five women, Gwen (Arci Muñoz), Bridgette (Bela Padilla), Jessica (Yassi Pressman), Clarisse (Andi Eigenmann) and Joanne (Kim Molina) enter a boot camp named Camp Sawi. Each woman, had a history of being heartbroken by their romantic interest. The girls as members of the aptly named camp help one another in dealing with their ill feelings under the watch of camp chef and head coach Louie (Sam Milby).
Trisha, a Filipino transgender woman, suddenly dies while being crowned in a beauty pageant. Her last wish was to be presented as a different celebrity on each night of her wake, but her conservative father wants to bury her as a man. Trisha’s friends are left with no choice but to steal her body and hold the wake in a secret location. And as Trisha is transformed to look like different celebrities, they also look back at the colorful and extraordinary life that she has led – being a son, a sister, a mother, a friend, a lover, a wife, and ultimately, a queen.
The story of Gwen and Tonton, childhood sweethearts born and raised in the province. They promise to love, marry and be with each other until death do they part. But they went on separate paths when Gwen left to study in the city. There, she made new friends and eventually forgot all about Tonton. When she made a wish to meet the guy who would die for her. Tonton appeared who still eager to marry her. Will they live happily ever after?
The film follows the story of Anne (Angelica Panganiban) and the decisions she has to make after she finds out her husband Geoff (Dingdong Dantes) cheated on her repeatedly. While her marriage falls apart, she meets Bryan (Paulo Avelino), who helps take away the pain. Will she find the strength to forgive Geoff or will she move on to Bryan?
Five gay men from different walks of life are confronted with important choices that could change everything for them.
“Kusina” (Her Kitchen) is the silent witness to the life and love of Juanita. It is her sanctuary, the place where she creates dishes for her family, her friends, even enemies and strangers. Through cooking, she gets to know the people around her, and in return, reveal herself to them.
Sunday is precious. In Taipei’s Little Philippines, Sunday is priceless. Its simple pleasures, perk up wilting ambition and rejuvenate flagging aspiration. The discovery of an abandoned couch, this particular Sunday, sets this story in motion. Filipino guest workers, Manuel and Dado, hoist the couch and head back to their dormitory in the industrial fringes of the Taipei hinterland. This funny road movie is driven forward by the conflict between their irrational hopes and the lurking personal demons of cold, hard rationale. Pinoy Sunday walks rural-third-world protagonists through traffic heavy, fast-paced, modern city streets and freeways; till ‘irrational hope’ and ‘the demons of cold, hard rationale’ mutate, and one is soon indistinguishable from the other.
Vic Sotto, Cristine Reyes, Dante Rivero, Joey de Leon, Agot Isidro, Jean Garcia, Rafael Rosell, Allan K, Ritchie d’Horsie, Wally Bayola, Denise Laurel, Jackie Rice, Empress Schuck, Mika dela Cruz, Barbie Forteza. Victor (Vic Sotto) is a single father who falls in love with Elisa (Cristine Reyes) who turns out to be an Aswang. But even so, Victor love Elisa so much that he accepted who she is and even live with her as his second wife. But the problem comes when the leader of the Aswang clan (Jean Garcia) founds out that Elisa and her mother (Agot Isidro) are not eating humans anymore. She sents out other Aswangs to hunt down Elisa and her mother, and also for Victor and his family. Victor then will face the leader of the Aswang clan to save his beloved Elisa.
The Road is about a 12 year-old cold case which is reopened when three teenagers are missing in an abandoned road. In the course of the investigation, deeper and gruesome stories of abduction and murders are discovered. After more than two decades, the secrets and mysteries of the road are finally revealed and the ghost lingering the dark and desolate pathway is out to make sure nobody leaves alive.
A young girl struggling with various problems turns to her professor for advice and comfort. The two form a bond that turns sour, and their lives are brought to an untenable pitch when she accuses him of rape.
Fidel (Paolo Contis) is a fresh culinary arts graduate from a Swiss school, working as under-chef in a casino restaurant in Macau. Fidel is compelled by his mother, Inay Virgin (Maricel Laxa) , to come back to their hometown in time for the first death anniversary of his father. Soon after he arrives, he is challenged by an uncle, Tiyo Pinoy (Michael de Mesa), reproaching him fo forgetting his roots, that he has become practically a foreigner, and that — no matter how hard he tried–he cannot cook a good lechon. Fidel accepts the wager. Fidel starts apprenticing with the town’s lechon master , Man Carding (Jun Urbano) and falls in love with Carding’s granddaughter, Carmel (Karylle).
Aga Muhlach plays the role of Umboy, a notary public attorney who earns a living by notarizing important documents and other papers, while Velasquez on the other hand plays the role of Berns, a professional documents fixer. Every time Berns needs the help of a notary public, she goes to Umboy to “legalized” everything. This “legalization” process of documents was somehow Umboy does not agree with Berns. Their different ideology and principles in life have created a cat-and-dog fight situation between the two. But what’s supposed to be a misunderstanding between the two of them will likely to create a blossoming relationship. Bound with their principles in life, how do you think the two will end up together — to the dark side where both of them will be living a dishonest life where they fix documents illegally or to the light side where everything else is in correct and honest manner?
