There’s nothing like an overly demonstrative pair of newlyweds to make an old married couple feel like a failure. And old. So when Jeff (Eddie Kaye Thomas) and Steph (Kat Foster) Woodcock–married for all of 12 days–move next door to Eddie (Brad Garrett) and Joy Stark (Joely Fisher), the latter feel the need to put their youthful neighbors in their place. After all, they’ve been married more than 23 years and can’t remember ever having been as silly as the Woodcocks are with their multiple PDAs and cries of “I love you.” And such is the premise of the first season of ‘Til Death. The Starks have a mean streak that binds them together. Rather than allowing the young couple to fight amongst themselves and learn from their own mistakes, the Starks make themselves feel better by instigating spats. Never mind that the Woodcocks are in their 20s and their been-there done-that neighbors are two decades older.

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After his sister’s death, a clairvoyant man confronts three of his unhinged, former classmates, to find the truth behind her death.

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A former Chinese Kung Fu master working in L.A. as a medicine man is targeted by an ex-student, and it’s up to one of his Hong Kong decibels, who’s visiting America, to defend his master’s honor.

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The film follows Katie, a young woman who flees a backwoods cult and takes a job at a care center for special needs adults in her determination to do some good with her life. But despite her best intentions, Katie can’t escape the signs that “the devils” are coming for Stephanie, a woman with Down syndrome she cares for, who keeps getting sicker despite Katie’s rituals to ward off evil spirits.

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Her name evokes visions of lush sensual discovery and the extremes of forbidden ecstasy. She is Emmanuelle, and these are the films that changed the look and feel of erotic cinema forever. The incomparably beautiful Sylvia Kristel stars in this landmark adult trilogy that begins with the sumptuous “Emmanuelle,” continues with the explosive “Emmanuelle 2,” and climaxes in the daring final chapter “Good-Bye Emmanuelle,” which is only available in this collection. Read more on next page.

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The lives of several Miami denizens, from ad agents to gunrunners to street thugs to law enforcement to school-children, intersect with humorous and dangerous results.

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Ava, a young girl, is tired of her parents demanding excellence from her, so she wishes to be someplace else and finds herself in an alternate universe called “Someday”. In order to get home, she must follow the clues provided by a magical book and overcome challenges from a giant rabbit with magical powers and powerful friends determined to keep her locked in Someday forever.

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In this kaleidoscopic portrait, a screenwriter, an actor, an urban shaman, and the director himself contend with the everyday annoyances that fill the life of an artist.

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Emanuelle, a reporter, comes just a little too close to exposing a corrupt official, and is sent to prison on trumped-up charges. In the prison, the inmates are constantly humiliated and tortured by the prison staff. Overly affectionate prisoners are forced underwater, while others are obliged to look on. Emanuelle finds an enemy in the deranged Albina, who “runs the prison.” For the pleasure of the warden, Emanuelle and Albina are forced to fight each other with knives. Bad becomes worse when four men awaiting execution escape and take over the prison. Gore flows like water.

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Life is no bed of roses for 52-year-old Juan “Coco” Villegas. He, who has been a gas station attendant for twenty years in Patagonia, finds himself jobless overnight. He first tries to survive by selling knives of his own making. But business is bad and he can’t find real work. One day though, after fixing a vehicle on a farm, he gets paid by means of a … beautiful Argentinian watch-dog! From this blessed day on, things start shaping well at last…

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Following the American invasion of Iraq in 2003 Chief Warrant Officer Roy Miller and his men are charged with finding the so-called weapons of mass destruction, whose existence justified American involvement, according to the Pentagon and their man in Baghdad, Poundsgate. Veteran CIA operative Marty tells Miller that there are no weapons, it is a deception to allow the Americans to take over the country and install a puppet leader. Also suspicious of Poundsgate is Wall Street Journal reporter Lawrie Dayne, who lets slip to Miller that Poundsgate told her he had secret talks in Jordan with an important Iraqi, code-named Magellan, who told him about the weapons, though it now seems likely Magellan’s true information was to the contrary. So begins a hunt for the truth. Who’s playing whom?

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In Bellingham, Washington, Billie Davis is the one woman show at the non-profit Dream Day Donations, a wedding planning company whose core mission is to re-purpose for donation to worthy causes wedding event items beyond what are generally seen as their single use, items such as flowers. She gets some bad news when she receives notice from the landlord of the old warehouse where the business is housed that he is selling the property, it having sentimental value as previously been owned by her grandfather and father after him, her father, Saul Davis, who was an event planner himself. That sentimental value is even deeper now in she and her mother, Carol Davis, dealing with Saul being in the early stages of Alzheimer’s, he who is slowly slipping away from them. In Billie casually responding about her own engagement heartbreak in answering the question “why aren’t you married?”, one of her client couples, Max Warren and Jess Bailey, call off their wedding one week before the event in …

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