Shambhala is a parallel dimension, a mirage which has fired the imagination of a wide variety of people.

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Japan, 2077: A female agent named Vexille is dispatched to Tokyo to investigate whether Japanese are developing robotic technology, which has been banned by the U.N. due to its potential threat to humankind.

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Six inner city orphans find themselves out of their element and immersed deep into the heart of nature. Beyond the constructs of society a new reality emerges and a bigger universe is revealed. But are their guides really there to help them grow or do they have alternative motivations? The deeper into the wild they go, the more they learn, and the greater the danger they are walking into. It will take all they have to pull together, discover who they are, and get home alive.

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The first story enters straight into the heart of Farooq (Ankur Khanna) and Ira’s (Soha Ali Khan) relationship in Mumbai. Farooq remains troubled by his own inability to let go of the memories of his dead parents in his ancestral which he continues to occupy and use as the disturbing muse for his own writing. So deeply ensconced in being haunted by his own past, Farooq appears incapable of fully living in the present, to the extent to which he proves powerless in responding to the possibility of sharing true love with Ira. In Kolkatta, the second vignette revolves around Dr. Siddharth Bose (Victor Banerjee), a wealthy Calcutta surgeon in his fifties. Dr. Bose’s is stuck in the rut of a loveless, pitiful, and seemingly pointless marriage which he attempts to rattle by embarking on a quick, nervous and uncomfortable affair with a much younger woman. His lover, Lea (Keira Chaplin), is a German on her own journey to discover India, and to some extent herself. Their passionate yet …

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There’s something wonderfully fresh almost subversive, really about a film in which teenage girls speak about sex and obsess over it and crave it as openly as boys. Funny, embarrassing and poignant without ever seeming leering or exploitative. The way salty-sweet comedy TURN ME ON, DAMMIT! treats the hormone-addled turmoil of its heroine Alma feels something close to revolutionary.

TURN ME ON, DAMMIT! is a whimsical and refreshingly honest coming of age story about the blossoming sexuality of a teenage girl. Alma (Helene Bergsholm) is consumed by her out-of-control hormones and fantasies that range from sweetly romantic images of Artur, the boyfriend she yearns for, to down-and-dirty daydreams about practically everybody she lays eyes on.

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A sniper on a mercenary assassination team, kills the minister of mines of the Congo. Terrier’s successful kill shot forces him into hiding. Returning to the Congo years later, he becomes the target of a hit squad himself.

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A group of cold-blooded cannibals keep people in cages until they’re ready to be butchered. One of the captives escapes, but dies in the surrounding forest. Nature soon takes a hand, reviving the former captive and turning him into a marauding beast.

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Out of the Wild is the story of Henry McBride, a down and out cowboy with a painful past he can’t drink away. Living on his last dollar with nowhere to go, he ends up working the last place an old cowboy wants to be: A dude ranch. It is here he meets the owner, Jessie King, a no-nonsense rancher with a deep love for horses. McBride’s self-discovery begins when she introduces him to a new way of training a troubled mustang, a horse whose past and temperament mirror his own. As the story brings together the paths of these two beaten souls, man and horse, it is King that sees a shared spirit deep within them- One that is hidden beneath anguish, torment, and years endured in the darkest of places. Behind the broken heart of a family lost, a soul tormented with guilt, and an endless haze of booze to dull the pain, she knows McBride is at heart a good man. Just as she knows the mustang can once again find that spirit, so too must McBride. What transpires is a story of redemption, moving …

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Three middle-aged daddies visit California to have a marvelous time at the beach. When they learn that a nice apartment and an expensive cabriolet isn’t enough for them to score with the chicks, they employ a student to help them. At first he’s as disgusted of them and his job as his girlfriend, but soon they find out how to use the situation to everyone’s benefit.

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Pitch Perfect & Sensitively Directed… Superb new offering from Rodrigo Garcia. This movie is the BOMB if you appreciate excellent acting, writing, directing and casting – Naomi Watts, Annette Bening, Jimmy Smits and Samuel Jackson. Definitely one for the Oscars!

Almost forty years ago, a young girl of fourteen has sex, gets pregnant, and gives her baby up for adoption. Fast-forwarding to the present day, we meet three very different women, each of whom struggles to maintain control of their lives. There’s Elizabeth, a smart and successful lawyer who uses her body to her advantage. Any time she feels that she doesn’t have the upper hand, and cannot control the situation, she uses her sex appeal – whether that be starting a romance with her boss when she suspects he is trying to start one himself, or finding some way to control her overly friendly neighbor and husband. Karen, meanwhile, is a bitter health care professional who obviously has a lot of heart but never shows it. She gave up a daughter at the age of fourteen (wonderfully shown rather than told, she is the young girl and mother of Elizabeth), and has never gotten over it – her bitterness inspiring her to lash out at everyone around her…

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We made a movie in a day: We traveled 467 miles, to 20 locations, with 18 actors, in less than 24 hours. The lead actress wasn’t given a script, a story line, or even her character name. She ‘woke up’ in a hotel room with no memory, and her only goal was to figure out who she was. We rehearsed with 17 of the actors for 3 days leading up to the shoot day. The other actors couldn’t have a script either, we would never know what Shannon would say or how she would react. The other actors could only work off of goals and motivations. We blindfolded Shannon Lucio for wardrobe, she wasn’t allowed to see her hair and makeup. And we dropped her in a city she doesn’t know, Dallas, and she had to ‘choose her own adventure’. There were no second takes, no rehearsals for Shannon.

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A group of bridesmaids travel to Napa for a bachelorette party and find themselves in great danger as a man wearing a wolf mask seeks revenge for the death of his friend.

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