When projectionist Stuart Lloyd (Englund) is made redundant by the multiplex cinema he gave his life to, he seeks revenge on a generation that no longer requires his skills. Trapping a young couple inside the cinema during a midnight screening, he sets a deadly plot in motion to make them the unwitting stars of his own chilling horror movie. As they struggle for their lives, the pair are unaware that the CCTV cameras are rolling and that the stage is set for a fatal finale.
In Tokyo, a serial killer is murdering women and posting his violent crimes on-line. In Jakarta, a rogue vigilante uploads his murdering spree for the world to see. A psychotic game of cat and mouse ensues as the two men battle for notoriety. Soon it becomes clear that it’s only a matter of time until the two killers square off face to face.
Ten years after a global economic collapse, a cold-blooded drifter traverses the scorched Australian outback on a mission to track down the men who stole his last remaining possession – his car. When he crosses paths with a badly wounded member of the gang, he takes the vulnerable, naïve young man along as his unwitting accomplice.
Plastic is based on a true story where a gang of friends managed to infiltrate one of the biggest credit card companies in the World and pull off one of the biggest and most audacious Diamond Heists ever committed in British History. Plastic is Catch Me If You Can meets The Italian Job.
Neil, Will and Simon receive an invite from Jay to join him in Australia whilst on his gap year, who promises them it’s ”the sex capital of the world”. With their lives now rather dull compared to their hedonistic school days and legendary lads holiday, it’s an offer they can’t refuse. Once again, they put growing up temporarily on-hold, and embark on a backpacking holiday of a lifetime in an awful car, inspired by Peter Andre’s ‘Mysterious Girl’. Will soon finds himself battling with the lads to do something cultural, whilst they focus their attention on drinking, girls, and annoying fellow travelers.
After an illustrious special ops career ends in disaster, Alexander (Seagal) goes off the grid and attempts to lead a quiet life as a handyman at an apartment complex. But when one of his tenants and her family fall under the thumb of a Russian gangster, Alexander is dragged into an all-out war between rival Chinese and Russian gangs; forcing him to not only defend the family, but bringing him face to face with an old foe, and giving him one more chance to reconcile his past.
A young American backpacker, ALLIE (Tammin Sursok), falls in with a mysterious group of ex-pats living in Bangkok who perform on a provocative interactive website called “Cam2Cam.” The seductive allure of Bangkok along with the strange sexual magnetism of the group’s leader, MARIT, turn Allie’s world inside out. In a city where foreigners come to re-invent themselves, Allie learns, too late, that nothing is what it seems.
When their shuttle is damaged on the way to Centari Five, six friends are forced to crash land on the surface of a mysterious alien planet. Stranded with little hope of rescue, it soon becomes clear that they are not alone. Hunted by the planet’s ferocious inhabitants and targeted by heavily-armed forces, they will have to struggle just to survive.
The story of programming prodigy and information activist Aaron Swartz. From Swartz’s help in the development of the basic internet protocol RSS to his co-founding of Reddit, his fingerprints are all over the internet. But it was Swartz’s groundbreaking work in social justice and political organizing combined with his aggressive approach to information access that ensnared him in a two year legal nightmare. It was a battle that ended with the taking of his own life at the age of 26. Aaron’s story touched a nerve with people far beyond the online communities in which he was a celebrity. This film is a personal story about what we lose when we are tone deaf about technology and its relationship to our civil liberties.
A retired assassin is drawn back into the life he gave up when his daughter is kidnapped. To rescue her, he must confront his former rival.
In Mr. Bean’s Holiday (the title echoes Jacques Tati’s breezy 1953 classic Mr. Hulot’s Holiday), the resourceful man-child Bean (Rowan Atkinson) wins a church raffle that packs him off to the beaches of the south of France. But getting there is all the funny, as he is detoured by one mishap after another. En route, he comes to the “aid” of a Cannes Film Festival judge’s young son, who is separated (no thanks to Bean) from his father at the train station. Bean also stumbles upon a commercial shoot directed by a stereotypical egomaniacal American filmmaker (Willem Dafoe), and crosses paths with an aspiring actress (a charming Emma de Caunes) also on her way to Cannes.
The film, inspired by true events, is a story of a mother’s love and xenophobia stemming from insecurity. Fresh acting faces bring to the film a documentary-like realness that the subject calls for. Emmi Parviainen throws herself amidst issues of motherhood with strength and sensitivity. Mazdak Nassir, an award-winning film-maker… is also convincing as the ‘familiar stranger’ who rattles the family balance. …
