From the creators of The Signal (Sundance 2007) comes Synchronicity, a mind-bending ‘Sci-fi Noir’ in the tradition of Dark City, Blade Runner, and Alphaville. When physicist Jim Beale invents a machine that can fold space-time, a rare Dahlia appears from the future. He must now find the flower’s identical match in the present to prove his machine works. Jim soon discovers that the Dahlia lies in the hands of a mysterious girl, who seduces him into revealing his secrets. Convinced that he’s fallen prey to a femme fatale trying to steal his invention, Jim travels back in time to stop her betrayal before it happens. But once in the past, Jim uncovers a surprising truth about the machine, the girl, and his own reality.

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Samantha “Sam” works at a crisis hot-line where she listens to strangers and helps them deal with their pain. It’s a pain she knows well since the hot-line saved her life once when she lost her sight and didn’t know how to live in a world of darkness. On her last night on the job, Sam receives an terrifying visit from one of her regular callers who feels betrayed that she’s leaving him. This man is no ordinary caller. He’s a sadistic serial killer she’s unknowingly been keeping from killing himself for over a year. With only a skeleton on the graveyard shift, there’s very little that stands between him and Sam. He’s come for her and won’t let anything or anyone stand in his way. Will Sam survive the longest, darkest night of her life?

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After leaving the force, Elijah Kane (Steven Seagal) falls back into his special forces past, re-emerging from the ashes of his destroyed Special Investigations Unit to once again work for the government. Aware of his skill as a long-range sniper, Kane is recruited by Marcus Mitchell of the CIA to come back as an operative. In return, Marcus promises that the CIA will provide information to Kane about who put out the hit on his SIU team. Kane recruits three agents to form a new team of operatives. All three are trained by Kane and ultimately driven (like Kane) by not just business, but also for personal reasons.

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The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father (Brad Pitt). Jack (played as an adult by Sean Penn) finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith.

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In 1882, Joseph and Elizabeth Cooley head West to reunite with family she never knew. But when she, Joseph, and her older brother, Millard, are stranded in a logging camp just outside Tucson a wounded Indian stumbles into their camp and they must defend him against Doc Holliday, his would-be killer.

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Trace Adkins (The Lincoln Lawyer), Ron Perlman (TV’s “Sons of Anarchy”) and Brendan Penny (Ring Of Fire) star in this gritty and riveting re-imagining of the classic Western saga. Raised by powerful cattle baron Judge Henry (Perlman), South, aka “The Virginian” (Adkins), lives his life as a ranch enforcer with bravery and steely determination. When a big-city writer (Penny) raises questions about the fierce treatment of rustlers, South is quick to defend the brutal realities of the “Code of the West.” But as he looks deeper into the latest string of rustling and finds his convictions questioned by a pretty new schoolteacher (Victoria Pratt, Mutant X), South begins to wonder if the Judge had ulterior motives in raising him to a life of bloodshed and violence in this explosive, action-loaded epic on the open range.

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Robert, a Medium frustrated by scraping a living with simple party tricks, is hired by George to find the truth behind the brutal deaths of his wife & children. George is convinced their house is possessed by an ancient evil, but as the dead return to tell of ghostly seduction, demonic rage, and brutal murder, Robert discovers the truth – a horror far more real than any ghost story…

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A giant beanstalk brings Jack to a land in the clouds filled with snarling, evil beasts. When the creatures make their way to the ground, Jack must figure out how to get back down before they destroy earth and everyone in it.

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Writer, Nora Nichols finds inspiration by watching her neighbor Lucas’ escapades from her bedroom window. But things take an interesting turn when she realizes he’s been watching too.

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Victor returns to Buenos Aires after his father’s death and a stay in Mexico to prepare a radio production of “Love’s Labour’s Lost.” Reuniting with his repertory, he finds himself sorting out complicated entanglements with girlfriend Paula, sometime lover Ana, and departed actress Natalia, as well as his muddled relations with the constellation of friends involved with the project. As the film tracks the group’s crisscrossing movements and interactions, their lives become increasingly enmeshed with the fiction they’re reworking, potential outcomes multiply, and reality itself seems subject to transformation. An intimate work that takes characters and viewers alike into dizzying realms of possibility, The Princess of France is the most ambitious film yet from one of world cinema’s brightest young talents, a cumulatively thrilling experience.

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Coco (Hendler) has just moved to a new apartment with his wife Pipi (Stuart), who’s seven months pregnant. At first, they don’t seem to notice the growing chaos around them, but when authorities quarantine their building after a deadly pandemic breaks out, Coco joins forces with his off-kilter, but well-prepared and stocked next-door neighbor Horacio to defend his refrigerator and keep Pipi safe. Meanwhile, outside the building, Buenos Aires-and the world as the apartment denizens know it, is disappearing. The world is ending; got ammo?

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Based on a story of Countess Bathory, a serial killer in 16th century Transylvania who supposedly killed hundreds of children.

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