It all started when 17-year-old Athena Dizon unwittingly plays a trick on resident heartthrob and bad boy, Kenji de los Reyes. All of a sudden, she finds herself pretending-unwillingly at that-to be his girlfriend to make his ex jealous. Now, not only does she have to deal with dirty looks from the girls in school who want Kenji for themselves, but her supposed boyfriend is getting on her nerves. He’s hotheaded, never seems to agree with her on anything-and everything about him screams gangster.

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Created by BAFTA Award winning television screenwriter Jimmy McGovern (Cracker, Accused), The Street is an outstanding drama series about life behind the front doors of everyday working-class families on a street in Manchester, northern England. The inhabitants of The Street do their best to be good people as they struggle with moral choices in hard-hitting, individual stories of poverty, addiction, sexuality, unemployment and crime. With the brilliant acting talents of Jim Broadbent, Jane Horrocks, Timothy Spall, Bob Hoskins, David Thewlis, Matt Smith, Anna Friel and many others, each riveting episode captures perfectly the moving reality of ordinary human lives.

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The story is inspired by a real-life fan who pursued Limp Bizkit’s frontman Fred Durst many years ago, and the screenplay was written by Durst and Dave Bekerman. It follows Moose (played by John Travolta), who gets cheated out of meeting his favorite action hero, Hunter Dunbar (played by Devon Sawa). Moose then hunts down Dunbar to get the celebrity interaction he feels he deserves. Harmless at first, Moose’s actions begin to take a dark turn. Against the advice of his friend Leah (Ana Golja), Moose begins to make frequent visits to his hero’s private home. As the visits continue to escalate, Dunbar finds himself in increasing danger.

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It’s been five years since high schooler Ronnie Chase died in a tragic accident. But the shock of his death is reignited when his ex-girlfriend, Melissa (Margaret Qualley), visits Ronnie’s mother (Amy Ryan) and brother (Nick Robinson) and tells them she believes she’s pregnant with Ronnie’s child. Ronnie’s family tries to dismiss Melissa’s incredible claim – and is plunged into a web of lies, fears, and unrelenting suspense.

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Katherine Newbury (Emma Thompson) is a pioneer and legendary host on the late-night talk-show circuit. When she’s accused of being a “woman who hates women,” she puts affirmative action on the to-do list, and presto! Molly (Mindy Kaling) is hired as the one woman in Katherine’s all-male writers’ room. But Molly might be too little too late, as the formidable Katherine also faces the reality of low ratings and a network that wants to replace her. Wanting to prove she’s not merely a diversity hire who’s disrupting the comfort of the brotherhood, Molly is determined to help Katherine revitalize her show and career – and possibly effect even bigger change at the same time.

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By June 1942, the Japanese Navy has swept across the Pacific. In an effort to change the course of the war, a United States carrier group is positioned off the coast of Midway, tasked with springing a trap on the enemy. During this pivotal battle, the two-man crew of a U.S. Navy dive bomber is forced to ditch in the sea. Set adrift, the men look towards their comrades for rescue; namely, the ragtag crew of a PBY Catalina, who are sent to search for survivors. Amid the vast openness of the Pacific, with days passing and the chance of rescue fading, the men are forced to face their own mortality.

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In 1987 Britain, Javed Khan is a British-Pakistani college arts student in Luton in a family with a domineering father. Depressed by his oppressive family life and feeling he has no future in a hostile community, a newfound friend introduces Javed to the music of Bruce Springsteen. Touched by the rock star’s powerfully eloquent affinity of his own feelings, Javed is inspired to reach out for his own dreams with his own talents. However, although Javed finds friends he never expected in this personal quest, he also finds himself butting heads with his newly unemployed father who stubbornly refuses to understand his son’s new aspirations. In this conflict of values in a troubled time, Javed must decide what is truly important to him while his family struggles to understand what has changed and what remains with a new generation feeling born to run.

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A pizza delivery girl at the end of her financial rope has to fight for her life – and her tips – when her last order of the night turns out to be high society Satanists in need of a virgin sacrifice.

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Police Academy is a series of American comedy films, the first six of which were made in the 1980s. The seventh and to date last installment, Mission to Moscow, was released in 1994. The series opened with Police Academy (1984) which started with the premise that a new mayor had announced a policy requiring the police department to accept all willing recruits. The movie followed a group of misfit recruits in their attempts to prove themselves capable of being police officers.

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Marshal Matt Dillon is in charge of Dodge City, a town in the wild west where people often have no respect for the law. He deals on a daily basis with the problems associated with frontier life: cattle rustling, gunfights, brawls, standover tactics, and land fraud. Such situations call for sound judgement and brave actions: of which Marshal Dillon has plenty.

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Ely, a young man who can’t get over Celine, his past love, meets Mia, a young woman who escaped from a painful past in the Philippines and is trying her luck to rebuild her life in Spain. They meet. They fall in love. But can they overcome the hurt of the past to have a future together?

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An alcoholic drifter must battle withdrawal and psychotic rednecks after he becomes the target of a deranged sporting event.

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