Los Angeles, 1967. Welcome to the Summer of Love. Aquarius stars David Duchovny as Sam Hodiak, a seasoned homicide detective whose investigations dovetail with the activities of real life cult leader Charles Manson in the years before he masterminded the most notorious killings of a generation, the Tate-LaBianca murders. A small time but charismatic leader with big plans, Manson has begun to build up his “family”, recruiting vulnerable young men and women to join his cause. Teaming up with a young cop who will help him infiltrate Manson’s circle, Hodiak is forced to see things through the questioning eyes of someone who came of age amongst the current anti-establishment counterculture. Edgy, addictive and visually stunning, the Age of Aquarius is here.

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When aspiring model Jesse moves to Los Angeles, her youth and vitality are devoured by a group of beauty-obsessed women who will take any means necessary to get what she has.

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Insane, gory, violent, crazy – but not without meaning. Absolutely perfect. As grotesque as “Taxidermia” is, it is a brilliant film and it is also very powerful. The scenes are explicit and may cause one to be uncomfortable but here is a film that resonates truth.

Gyorgy Palfi’s grotesque tale of three generations of men, including an obese speed eater, an embalmer of gigantic cats, and a man who shoots fire out of his penis. Nothing in cinema’s history can be compared to this. Not a single movie was as violent as this one is sometimes. In some scenes it reminded me of Pasolini’s Salo. But the disgusting and the violent scenes are all meaningful; probably they are a perverse, misshapen mirror of the society. We can’t say, that the leading characters are perverted, because everybody is as much perverted, as the ones we see. Fortunately this unique movie is presented by a big amount of humor – and we simply can’t take the characters totally seriously. Taxidermia is a milestone in film-making, and was worth every single cent of the Sundance money, from which it was made.

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The future America is an irradiated waste land. On its East Coast, running from Boston to Washington DC, lies Mega City One – a vast, violent metropolis where criminals rule the chaotic streets. The only force of order lies with the urban cops called “Judges” who possess the combined powers of judge, jury and instant executioner. Known and feared throughout the city, Dredd is the ultimate Judge, challenged with ridding the city of its latest scourge – a dangerous drug epidemic that has users of “Slo-Mo” experiencing reality at a fraction of its normal speed. During a routine day on the job, Dredd is assigned to train and evaluate Cassandra Anderson, a rookie with powerful psychic abilities thanks to a genetic mutation. A heinous crime calls them to a neighborhood where fellow Judges rarely dare to venture – a 200 storey vertical slum controlled by prostitute turned drug lord Ma-Ma and her ruthless clan…

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An old man suffering from cancer seeks revenge on the thieves who have destroyed his life.

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Soundtrack to Sixteen is a coming-of-age film about two anxious teens growing up in London in the 2000s. Maisy is self-conscious and constantly overanalysing. She is obsessed with having her first kiss this year, before she turns seventeen, but stalking the boy next door doesn’t seem to be working. Meanwhile Ben, a boy from a nearby school, is happy being a nerd and thinking he’s better than everyone else until his grades start plummeting. For the first time he must come face to face with the idea that he might, in fact, be average. When the two meet each other on the night bus things get even more confusing for them as they attempt to navigate their first potential romance under the stress of exams that will define their future.

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True story of a daring Israeli commando assault on the Entebbe Airport in Uganda to free hostages of a terrorist hijacking.

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In the past several years local musician Austin Lake has built a name for himself, with his flashy and genre-bending solo project Aweful Kanawful. Lake is now translating that aesthetic into filmmaking with his quirky and zany feature-length movie, A Pharaoh s Lonely Ego

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Amelia Lewis (Vanessa Lachey) is super excited when she buys an available storefront, planning to open a year-round Christmas shop. But her celebration comes to a screeching halt when she discovers that Vic Manning (Ryan McPartlin) has also bid on the property. Amelia and Vic have the same idea, get to the seller—Elder Dubois (Patrick Duffy) in the next town—and convince him to sell his space to them. Despite the holidays, Elder is down in the dumps. It’s the first Christmas without his wife, and he’s in no mood to chair the decoration committee for the “Battle of the Main Street” yearly holiday competition with the neighboring town. Hoping to win favor with Elder, Amelia and Vic volunteer to take over his duties. After continually bickering and trying to one-up each other, the two combatants learn to work together and even get the merchants on Main Street to put aside their differences for the greater good. Everyone, including Amelia and Vic, realize that compromise is the key that leads to a happy—and romantic—ending.

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Helen signs up for a wilderness survival course, a year after getting divorced. She discovers through this experience that sometimes, you have to get really lost in order to find yourself.

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The bonds of brotherhood, the laws of loyalty, and the futility of violence in the shadows of the US Mexico border gang wars.

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After his wife is forced to give up 40 years of her life as payment for an insurance debt, a man desperately searches for a way to get them back.

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