A mall security guard — and former federal agent — crosses paths with a drug kingpin’s enforcer after he saves a woman from danger.

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The year is 2017. The first child is yours. The second is “”theirs.”” After losing their first baby, John and Karen Brennick dare to have another. Caught trying to cross the border, the ex-war hero and his pregnant wife are sentenced to a sadistic futuristic prison buried 33 stories beneath the Earth. Computers control inmates’ bodies and minds, and newborn infants are being used to create a new breed of human robots. No one has ever gotten out alive. But not even the most overwhelming technology can extinguish one mans passionate love for his wife and child.

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We always knew they were coming back. After ‘Independence Day’ redefined the event movie genre, the next epic chapter delivers global spectacle on an unimaginable scale. Using recovered alien technology, the nations of Earth have collaborated on an immense defense program to protect the planet. But nothing can prepare us for the aliens’ advanced and unprecedented force. Only the ingenuity of a few brave men and women can bring our world back from the brink of extinction.

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Reeling from a terrifying assault, a 19 year-old boy enrolls into college with his brother and pledges the same fraternity. What happens there, in the name of “brotherhood,” tests the boy and his loyalty to his brother in brutal ways.

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Lifelong friends Kate, Evie and Charlie are in a rut. Kate spends her days at a middling job and her nights alone or on failed dates. Evie is married with the in-laws from hell, wandering from one charitable cause to the next. Charlie has the girl of her dreams but just can’t seem to pull her business (or her act) together. On the eve of Kate’s 30th birthday, she agrees to let Evie and Charlie throw her a party. But what’s supposed to be a simple celebration becomes a wild who’s who of past and present, and things quickly spiral out of control.

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A guy gets more than he bargained for after entering into an affair with the wife of an investment banker. Soon, a suspicious death and substantial life insurance policy embroil him in a scandal.

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Charlie Martin, a JI whose fraternity gets kicked off campus after it takes the rap for a rival fraternity gone awry. Three years later, Charlie and the remaining brothers must throw the greatest rush event to recruit a new pledge class and bring the house back to glory.

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Get ready to blast off to an out-of-this-world adventure with canine teenage astronaut, Pushok, who is determined to find his missing astronaut father. Against all odds, Pushok stows away on a US rocket ship to the moon but soon finds he is not alone, as he is reunited with his mom and encounters a macho monkey and a baby alien. Together, the furry heroes learn the true meaning of teamwork as they join the search for Pushok’s dad.

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Following a ghost invasion of Manhattan, paranormal enthusiasts Erin Gilbert and Abby Yates, nuclear engineer Jillian Holtzmann, and subway worker Patty Tolan band together to stop the otherworldly threat.

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In the aftermath of the hunt for a serial killer, an ancient curse consumes a city, causing a series of brutal murders and pitting a detective against the clock to save his daughter’s life.

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Trapped aboard the family yacht, Samantha lives out her personal Hell, night after night, answering to the cruel and painful demands of the ship’s alarm system. Taking a journey into the depths of depravity, she wakes each morning to the disfiguring scars left by the previous night’s horror and searches for the answer to a missing memory: ‘Could I have killed my family… Or did Hell get it wrong?’

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A Hong Kong without traffic jams and crowds is a phenomenon eerier than any alien invasion or zombie outbreak, and it’s what the passengers of a minibus have to cope with when they find themselves the survivors of a strange pandemic in “The Midnight After,” a deliriously high-concept and gleefully low-budget horror-comedy that mourns the dissolution of the city’s core values since its handover to China in 1997. Maverick helmer Fruit Chan (“Made in Hong Kong,” “Durian Durian”) bends genre like it’s putty in his hands, distilling the macabre from the everyday and making the apocalyptic seem absurdly matter-of-fact. Fest play is assured, and ancillary prospects in overseas Asian-friendly niches look hopeful.

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