Second in the series of Meatball movies. A group of kids attempt to save a summer camp that’s a financial failure.

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Humphrey van Weyden, a writer, and fugitives Ruth Webster and George Leach have been given refuge aboard the sealer “Ghost,” captained by the cruel Wolf Larsen. The crew mutinies against Larsen’s many crimes, and though van Weyden, Ruth, and George try to escape Larsen’s clutches, they find themselves drawn inexorably back to him as the “Ghost” sails toward disaster.

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On his first day after being released from jail for 14 armed bank robberies, Lucas finds himself caught up in someone else’s robbery. Perry has decided to hold up the local bank to raise money so that he can keep his daughter, Meg, and get her the treatment she needs. Dugan, a detective, assumes Lucas helped plan the robbery, and hence Lucas, Perry and Meg become three fugitives.

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Gabriela Diaz’s (Christina Milian) San Francisco design firm folds the week of her break-up. Inspired by a potent concoction of wine and Wi-Fi, she successfully enters a contest to “Win an Inn” overlooking New Zealand’s countryside. Thousands of airline miles later, she discovers The Bellbird Valley Farm boasts a crumbling facade, floorboard-treading goat, and meddling neighbor who covets the space. Eager to renovate and sell the property fast, she partners with Jake Taylor (Adam Demos), the Kiwi contractor and volunteer firefighter observing much of her city-girl culture shock. Once the final fixtures are hung, she’s hesitant to leave him, the inn, and the inviting community that nurtured her creative side.

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A couples’ camping trip turns into a frightening ordeal when they stumble across the scene of a horrific crime.

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The new owner of a roadside diner stuck in a town built around an always leaking nuclear power plant plans to torch the place to collect insurance. However, an assortment of bizare characters and weird events (such as spaceships flying around) gets in his way.

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The staff of a Korean War field hospital use humor and high jinks to keep their sanity in the face of the horror of war.

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In the beginning of WWII, with Britain becoming desperate, Churchill orders his new spy agency — the Special Operations Executive (SOE) — to recruit and train women as spies. Their daunting mission: conduct sabotage and build a resistance. SOE’s “spymistress,” Vera Atkins (Stana Katic), recruits two unusual candidates: Virginia Hall (Sarah Megan Thomas), an ambitious American with a wooden leg, and Noor Inayat Khan (Radhika Atpe), a Muslim pacifist. Together, these women help to undermine the Nazi regime in France, leaving an unmistakable legacy in their wake. Inspired by true stories.

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Tia Logan is the envy of every woman and desire of every man. She is young, gorgeous and about to have it all. Aside from securing the coveted morning news anchor position at WBX DC television station, she is a week away from marrying DC’s most eligible bachelor, Malcolm Wright. In final preparation for her wedding, Tia and her best friend Jillian run last minute wedding errands. While at her final wedding dress fitting, Tia sees her fiance’ walking down the street exhibiting serious PDA with another woman. In full wedding attire, Tia runs outside and all hell breaks loose. Within a 24 hour time period, Tia loses everything: her new fiance’, her career and her home. How in the world will she ever recover and will she ever be able to find her “Happily Ever After”?

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A New York City subway train stops in the tunnel beneath the city with six complete strangers stuck inside the rear car. The strangers are a cross section of New Yorkers, of different race, culture and age. The emotions of the trapped, frustrated strangers explode, as the subway car becomes a kind of magical, musical, conduit cell. A place where strangers reveal through song more of themselves than any of them ever could have imagined.

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A family man struggling to hold it all together discovers a hidden parlor that offers a solution…sexbots.

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From the producers of Once and Sing Street, Float Like a Butterfly is a powerful and timely story of a girl’s fight for freedom and belonging. In a gender-reversal of classic film Billy Elliot, 15-year-old Frances has to fight for the right to fight back. Raised in roadside camps in rural Ireland, Frances wants to champion her people inside the boxing ring and out, like her idol Muhammad Ali. But society is determined to break her spirit and destroy her way of life. And her father, once her greatest ally, is too defeated himself to imagine any better for his daughter. But Frances was not born to be broken. In the mother of all fights, she must dig deep to find in herself the Champion her father once knew her to be.

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