After 40 years of running their community arts space, The Bread Factory, Dorothea and Greta are suddenly fighting for survival when a celebrity couple–performance artists from China – come to Checkford and build an enormous complex down the street catapulting big changes in their small town.
Set against the backdrop of a vast, unique and unforgiving landscape, Gold is a taut thriller about greed and the lengths people will go to secure themselves a fortune. When two drifters travelling through the desert stumble across the biggest gold nugget ever found, the dream of immense wealth and greed takes hold. They hatch a plan to protect and excavate their bounty with one man leaving to secure the necessary equipment. The other man remains and must endure the harsh desert climate, preying wolves and intruders, whilst battling the creeping doubt that he has been abandoned to his own fate.
When Sunset Shimmer finds out that her friends have no memory of her, she’s shocked to hear that after Human Twilight was reformed, all trace of Sunset had simply vanished. Desperate, Sunset is determined to bring her friends’ memories of her back to them. But to do so, she must first find the perpetrator who did such a thing in the first place.
In a futuristic society, some people are selected at birth to become soldiers, and trained in such a manner that they become inhuman killing machines. One of the most succesfull and older of these soldiers (Russell) is pitted against a new breed of soldiers, and after the confrontation is believed to be dead. His body is left behind in a semi-abandoned colonial planet, where everything is peaceful, and he is taught about the other aspects of life. But eventually he has to fight the new breed of soldiers again, this time to defend his new home…
Bill Burr unloads on outrage culture, male feminism, cultural appropriation, robot sex and more in a blistering stand-up special shot in London.
A bold, visionary work of science fiction cinema that recalls the genre in its cerebral 1960s and ’70s golden age, just as it simultaneously forges new territory with its unique fusion of emotional melodrama and hallucinatory widescreen spectacle, Vanishing Waves is one of the most accomplished and distinctive European films in recent memory. The second solo feature from Lithuanian director Kristina Buozyte, following her acclaimed 2008 debut The Collectress, the 2012 production Vanishing Waves confirms Buozyte as a major young talent whose frequently breathtaking visual and technical gifts are thankfully also matched by her interest in complex characterizations, adventurous narratives, and challenging themes.
Some say blood is thicker than water, but in our fictional small town of Cypress, vengeance is bigger than family loyalty when Mayor Ella Johnson is arrested for killing Malik Thompson, …
Following a high speed car chase with the police after a thwarted sabotage mission, the trio end up seeking refuge in a South African bank in Silverton, Pretoria. Taking the bank and its customers hostage and demanding the release of Nelson Mandela in exchange for release of the prisoners, the stakes and tensions run high.
When Waring Hudsucker, head of hugely successful Hudsucker Industries, commits suicide, his board of directors, led by Sidney Mussberger, comes up with a brilliant plan to make a lot of money: appoint a moron to run the company. When the stock falls low enough, Sidney and friends can buy it up for pennies on the dollar, take over the company, and restore its fortunes. They choose idealistic Norville Barnes, who just started in the mail room. Norville is whacky enough to drive any company to ruin, but soon, tough reporter Amy Archer smells a rat and begins an undercover investigation of Hudsucker Industries.
Mei Lee (voice of Rosalie Chiang) is a confident, dorky 13-year-old torn between staying her mother’s dutiful daughter and the chaos of adolescence. Her protective, if not slightly overbearing mother, Ming (voice of Sandra Oh), is never far from her daughter – an unfortunate reality for the teenager. And as if changes to her interests, relationships and body weren’t enough, whenever she gets too excited (which is practically ALWAYS), she “poofs” into a giant red panda.
“Los Angeles” is the story of Jojo, a young mute, who thinks she hears God calling her to save the Baby Jesus. She packs five angels in a shoe shine kit and takes a one-way trip to Tampa, Florida, where she is picked up by Cash, an escaped convict. The two hit the road with the FBI on their tail. At different cities along the way, Jojo opens her shine kit, and the angels perform. Will Cash get to freedom? Will Jojo save the Baby Jesus? God only knows.
Four criminals on the run from a desperate botched robbery hijack a plane and head south for the border. Meanwhile, a drifter fleeing his own trouble finds himself stranded on a remote desert ranch run by good ol’ gal Eden. After an emergency landing the thieves also seek refuge at Eden’s property, willing to do anything to escape justice. When all these characters converge in the middle of nowhere the stakes start to climb, and trusting people is nearly impossible when everyone is scattered To Hell and Gone!
