Silent as a painting, the movie shows us day-dreamer Hermie and his friends Oscy and Benjie spending the summer of ’42 on an US island with their parents – rather unaffected by WWII. While Oscy’s main worries are the when and how of getting laid, Hermie honestly falls in love with the older Dorothy, who’s married to an army pilot. When her husband returns to the front, Hermie shyly approaches her.
A Kashmiri woman agrees to marry a Pakistani army officer in order to spy on Pakistan during the Indo-Pakistan War of 1971.
In the competitive world of modern agriculture, ambitious Henry Whipple wants his rebellious son Dean to help expand his family’s farming empire. However, Dean has his sights set on becoming a professional race car driver. When a high-stakes investigation into their business is exposed, father and son are pushed into an unexpected crisis that threatens the family’s entire livelihood.
Maverick. Auteur. Rebel. Innovator. Storyteller. Rambler. Gambler. Mad man. Family man. Director. Artist. Robert Altman’s life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. “Altman”, Canadian director Ron Mann’s new documentary, explores and celebrates the epic fifty-year redemptive journey of one of the most important and influential filmmakers in the history of the medium. With its use of rare interviews, representative film clips, archival images, and musings from his family and most recognizable collaborators, Mann’s Altman is a dynamic and heartfelt mediation on an artist whose expression, passion and appetite knew few bounds.
To make Sidney’s slump all the more painful, Clifford Anderson, a student of one of Sidney’s writing seminars, has recently sent his mentor a copy of his first attempt at playwrighting for Sidney’s review and advice. The play, “Deathtrap”, is a five character, two-act thriller so perfect in its construction that, as Sidney says, “A gifted director couldn’t even hurt it.” Using his penchant for plot, and out of his desperate desire to once again be the toast of Broadway, Sidney, along with Myra, cook up an almost unthinkable scheme: They’ll lure the would-be playwright to the Bruhl home, kill him, and market the sure-fire script as Sidney’s own. But shortly after Clifford arrives, it’s clear that things are not what they seem. Even Helga Ten Dorp, a nosey psychic from next door, and Porter Milgram, Sidney’s observant attorney, can only speculate where the line between truth and deception lies.
Three film students vanish after traveling into a Maryland forest to film a documentary on the local Blair Witch legend, leaving only their footage behind.
A Completely Shattering “Realistic” Horror Film… This film disturbed the s**t out of me! This film is raw and real. What makes this film terrifying is that there’s not a vampire, werewolf or banshee in sight. It’s simply the story of a family experiencing an increasing series of emotional nuclear implosions that eventually destroys everything in its wake, leaving one survivor shattered, shaken and stripped of everything, especially his sanity.
A descent into Hell is triggered when “Ex-Lord” Donald Brocklebank finds that he must leave Longleigh House for London to find a way to pay for the medical treatments for his wife Nancy. Alone, his over-protected, delusional, adult son, James, fancies himself in charge of the manor house with his terminally ill mother, and barricades the two of them into the house for a series of ever more panicked home treatments, mistakenly protecting her from the arrival of Nurse Mary and any outside help.
A noble swordsman, whose arm had been chopped off, returns to his former teacher to defend him from a villainous gang of rival swordsmen.
When a gang of masked, ax-wielding murderers descend upon the Davison family reunion, the hapless victims seem trapped… until an unlikely guest of the family proves to be the most talented killer of all.
Holden and Skylar are in love. Skylar lives with a large extended family in Manhattan. Her parents, Bob and Steffi, have been married for many years. Joe, a friend of theirs, has a daughter, DJ, with Steffi. After yet another relationship, Joe is alone again. He flees to Venice, where he meets Von, and makes her believe that he is the man of her dreams. However, their happiness is fake all the way, and Von returns to her husband. Steffi spends her time in philanthropy, and manages to break up Skylar and Holden by introducing Skylar to ex-con Charles Ferry.
Fairy tales come vividly to life with this $75 million spectacular, a long-delayed fantasy/ horror comedy that can only come from the ingenuity of director Terry Gilliam. Gilliam’s maverick sensibility makes the film more closely comparable to Tim Burton’s Sleepy Hollow and Neil Jordan’s The Company of Wolves, with the added benefit of impressive CGI effects and lavish production design.
Folklore collectors and con artists, Jake and Will Grimm, travel from village to village pretending to protect townsfolk from enchanted creatures and performing exorcisms. They are put to the test, however, when they encounter a real magical curse in a haunted forest with real magical beings, requiring genuine courage.
New York City police detective John Shaft (nephew of the original 1970s detective) goes on a personal mission to make sure the son of a real estate tycoon is brought to justice after a racially-motivated murder.
