College graduates deal with Vietnam and other issues of the late ’60s.

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Terry Brogan, an aging football player in L.A., is cut early in the season; he needs money, so he takes a job from a shady friend of his, Jake Wise, to track down Wise’s girlfriend, Jessie, who’s somewhere in Mexico. She’s also the daughter of a very wealthy land developer, who owns Terry’s team. He heads for Cozumel, finds Jessie, and promptly falls in love with her. He thinks it’s mutual, then without warning, she heads back to L.A. and Jake. What’s going on with her, and what’s the connection between Jake’s hold on Jessie and the various politicians, lawyers, and environmentalists who seem to be converging on some sort of land deal? Terry keeps looking for answers.

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Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns.
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Anne Welles, a bright, brash young New England college grad leaves her Peyton Place-ish small town and heads for Broadway, where she hopes to find an exciting job and sophisticated men. During her misadventures in Manhattan and, later, Hollywood, she shares experiences with two other young hopefuls: Jennifer North, a statuesque, Monroe-ish actress who wants to be accepted as a human being, but is regarded as a sex object by all the men she meets, and Neely O’Hara, a talented young actress who’s accused of using devious means by a great older star (Helen Lawson) to reach the top, pulling an “All About Eve”-type deception in order to steal a good role away from her.

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A typically excellent performance by Yanni and his amazing crew of musicians. I always enjoy Yanni, and this show was wonderful.

Live at El Morro, Puerto Rico was filmed during Yanni’s two concerts in December 2011. The first artist to ever perform at this UNESCO Heritage Site, Yanni fulfilled a 20 year dream to play at the beautiful and historic 16th -century Castillo San Felipe Del Morro in San Juan-a spectacular setting for this live concert. For two sold-out audiences, Yanni and his world-renowned orchestra performed an inspired set of favorites from throughout his career including “Felista,” “Voyage,” “Nightingale,” “The End of August,” and more.

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Maximus is a powerful Roman general, loved by the people and the aging Emperor, Marcus Aurelius. Before his death, the Emperor chooses Maximus to be his heir over his own son, Commodus, and a power struggle leaves Maximus and his family condemned to death. The powerful general is unable to save his family, and his loss of will allows him to get captured and put into the Gladiator games until he dies. The only desire that fuels him now is the chance to rise to the top so that he will be able to look into the eyes of the man who will feel his revenge.

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A social media personality travels with his friends to Moscow to capture new content for his successful VLOG. Always pushing the limits and catering to a growing audience, they enter a cold world of mystery, excess, and danger. When the lines between real life and social media are blurred, the group must fight to escape, and survive.

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We have always been told that “Marriage” is a marriage between two families. ‘Sonu ke Titu ki Sweety’ explores the new age version of the same belief where “Marriage” is a marriage between two friend circles. What happens when you decide to get married, but your best friend and your girlfriend can’t see eye to eye. Sonu and Titu are childhood friends. Titu has always been a naïve lover, who falls in love easily and Sonu has always had to step in to save him. But Sweety is the perfect bride and Titu is head over heels in love with her. Sonu’s instinct to protect Titu at whatever cost, makes him feel that she’s too good to be true. What ensues is a war between the best friend and the bride to be. While Sweety is trying to impress Titu and the family alike, Sonu is out to sabotage the utopian romance.

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For Steve Rogers, awakening after decades of suspended animation involves more than catching up on pop culture; it also means that this old school idealist must face a world of subtler threats and difficult moral complexities. That becomes clear when Director Nick Fury is killed by the mysterious assassin, the Winter Soldier, but not before warning Rogers that SHIELD has been subverted by its enemies. When Rogers acts on Fury’s warning to trust no one there, he is branded as a traitor by the organization. Now a fugitive, Captain America must get to the bottom of this deadly mystery with the help of the Black Widow and his new friend, The Falcon. However, the battle will be costly for the Sentinel of Liberty, with Rogers finding enemies where he least expects them while learning that the Winter Soldier looks disturbingly familiar.

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A stunning, intoxicating, magical masterpiece from the same studio – Studio Ghibli who gave us Grave of the Fireflies and Ponyo On The Cliff.

In the middle of her family’s move to the suburbs, a sullen 10-year-old girl wanders into a world ruled by gods, witches, and monsters; where humans are changed into animals; and a bathhouse for these creatures. There is simply no denying that Miyazaki is the Godfather of Japanese Animation, time and time again delivering unto the public works of such incredible beauty, such stunning visual and sensory delights, such mastery of storytelling, that one can only be left speechless. Overwhelmed. Intoxicated with wonder. Such is the magic of Spirited Away.

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A comprehensive history of the superhero comic book fantasy genre and its influence on American culture. It is amazing how the comics reinvented themselves as the American culture changed.

Superheroes: A Never-Ending Battle is the first film to examine the dawn of the comic book genre and its powerful legacy, as well as the evolution of the characters who leapt from the pages over the last 75 years and their ongoing worldwide cultural impact.

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Have you ever wanted to be someone else? Or, more specifically, have you ever wanted to crawl through a portal hidden in an anonymous office building and thereby enter the cerebral cortex of John Malkovich for fifteen minutes before being spat out on the side of the New Jersey Turnpike? Then director Spike Jonze and writer Charlie Kaufman have the movie for you. Melancholy marionettes, office drudgery, a frizzy-haired Cameron Diaz but that’s not all! Surrealism, possession, John Cusack (Say Anything), a domesticated primate, Freud, Catherine Keener, non sequiturs, and absolutely no romance! But wait: get your Being John Malkovich now and we’ll throw in emasculation, slapstick, Abelard and Heloise, and extra Malkovich, Malkovich, Malkovich.

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