Captain Phillips is a multi-layered examination of the 2009 hijacking of the U.S. container ship Maersk Alabama by a crew of Somali pirates. It is – through director Paul Greengrass’s distinctive lens – simultaneously a pulse-pounding thriller, and a complex portrait of the myriad effects of globalization. The film focuses on the relationship between the Alabama’s commanding officer, Captain Richard Phillips (two time Academy Award®-winner Tom Hanks), and the Somali pirate captain, Muse (Barkhad Abdi), who takes him hostage. Phillips and Muse are set on an unstoppable collision course when Muse and his crew target Phillips’ unarmed ship; in the ensuing standoff, 145 miles off the Somali coast, both men will find themselves at the mercy of forces beyond their control.

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Best buddies Mickey, Donald, and Goofy are small-time janitors with big dreams of becoming Musketeers. Peg-Leg Pete, captain of the Musketeers, points out why they’ll never make it: Donald is a coward, Goofy is a dim-wit, and Mickey is short. But things change when Princess Minnie demands Musketeer bodyguards when assassins, hired by Pete so he can be king, nearly drop a safe on her. Knowing real Musketeers are too-well trained, Pete hires Mickey, Donald, and Goofy, the clumsy janitors as Musketeers and Minnie’s bodyguards.

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When college friends reunite after 15 years over the Christmas holidays, they will discover just how easy it is for long-forgotten rivalries and romances to be ignited.

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Family business takes on a whole new meaning in this sexy tale of two sisters and a red-hot industry. When Jenny, a successful call girl, leaves her steamy diary out one day, her younger sister Sara cannot but help take a look. What she finds is a forbidden web of sex and betrayal.

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While coming to terms with his dad’s recent passing in a tractor accident, 13-year-old George McCray (Gage Munroe) is living with his grandparents on their Kansas farm. George misses his mom, Jill (Josie Bissett), who has moved to Minnesota to deal with her grief, but there is the promise of their reunion at Christmas. George feels needed on the farm as he helps his grateful grandfather Bo (James Brolin) with daily chores and comforts his grandmother Cora (Barbara Gordon). He has also made friends with Mary Ann (Helen Colliander) and became attached to Tucker, the smart and friendly dog the McCrays take in when his troubled owner Frank Thorne (Ron Lea) lands in jail.

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A former bounty hunter turns into an elementary schoolteacher. Determined to have a normal life and keep her bounty hunter past a secret, she reluctantly returns home for Christmas to help save the family business by catching the one bounty that got away. But when her fiancé follows her home for the holiday, she struggles to hide her wild family business and a bounty hunter ex-boyfriend she thought she’d left behind.

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The story chronicles the Bundren family as they traverse the Mississippi countryside to bring the body of their deceased mother Addie to her hometown for burial. Addie’s husband Anse and their children, Cash, Darl, Jewel, Dewey Dell, and the youngest one Vardaman, leave the farm on a carriage with her coffin – each affected by Addie’s death in a profound and different way. Their road trip to Jefferson, some forty miles away, is disrupted by every antagonistic force of nature or man: flooded rivers, injury and accident, a raging barn fire, and not least of all – each individual character s personal turmoil and inner commotion which at times threaten the fabric of the family more than any outside force.

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A troubled girl (Emanuel) becomes preoccupied with her mysterious new neighbor (Linda), who bears a striking resemblance to her dead mother. In offering to baby-sit Linda’s newborn, Emanuel unwittingly enters a fragile, fictional world, of which she becomes the gatekeeper.

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Valibation is dark, it’s weird and it’s a revealing nightmare in which the protagonist is forced to confront the man technology has turned him into.

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The Burlesque Assassins. Beautiful, deadly and a vital weapon in the war on communism that threatens the free world. Set in the 1950s, this tale of cold war espionage and intrigue follows superspies Johnny Valentine, Koko La Douce, Bombshell Belle and new recruit Bourbon Sue as they seduce their way within killing distance of a trio of villainy bent on global domination. See the fatal fan dance of Koko La Douce! See the brutal boa of Bombshell Belle! Witness firsthand the carnage and the cleavage as the enemies of The Burlesque Assassins discover that when it comes to these women, LOOKS CAN KILL!

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After years of struggling to conceive with her husband, Lizzie has given up hope of having a baby on her own. But when her best friend Andie finds herself pregnant after a one-night stand, an unexpected solution arises: Andie offers to have the baby and give it to Lizzie. The couple agrees to the plan, on one condition: Andie must move in with them for the duration of the pregnancy. But can the women’s friendship survive until birth? Jessie McCormack’s debut is a refreshingly candid comedy about planning ahead for life’s unexpected detours.

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The Burlesque Assassins. Beautiful, deadly and a vital weapon in the war on communism that threatens the free world. Set in the 1950s, this tale of cold war espionage and intrigue follows superspies Johnny Valentine, Koko La Douce, Bombshell Belle and new recruit Bourbon Sue as they seduce their way within killing distance of a trio of villainy bent on global domination. See the fatal fan dance of Koko La Douce! See the brutal boa of Bombshell Belle! Witness firsthand the carnage and the cleavage as the enemies of The Burlesque Assassins discover that when it comes to these women, LOOKS CAN KILL!

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