The lives of three women are unexpectedly changed when they cross paths at a New York Family Court.

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The story of fifteenth century Czech icon and warlord Jan Zizka, who defeated armies of the Teutonic Order and the Holy Roman Empire.

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Two school friends decide to start a pretend straight relationship in an effort to fit in.

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Set in a north of England town, the programme follows shopworker Denise Lovett (Joanna Vanderham) as she struggles to make her way to the top after managing to gain a lowly position as a salesgirl at ‘The Paradise’, the town’s newly opened upmarket department store. Whilst being kept under the watchful eye of head of ladies fashion, Miss Audrey (Sarah Lancashire), Denise is quick to snatch an opportunity for advancement when her talents come to the attention of the store’s devious widowed owner, Moray (Emun Elliott).

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In the not-too-distant future, as a final response to terrorism and crime, the U.S. government plans to broadcast a signal making it impossible for anyone to knowingly commit unlawful acts.

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Best “Monster FX” in years! At first glance, The Host looks like any other monster movie – IT IS ANYTHING BUT… there’s actually much, much more going on beneath the surface. The Host is fast moving, with plenty of action and a truly gruesome-looking monster. Visually, it’s a gorgeous movie with stunning special effects, beautiful settings and unique and great storyline.

The story focuses on one small family and how they react to the weird goings-on all around them. When the youngest member of the family, Hyun-seo, is snatched by the titular monster, the family is devastated until a call from her mobile phone gives them fresh hope. Then the American army steps in, and all hell breaks loose… It’s a very original idea, with nuanced and well-written characters, plenty of humour, and a darker undercurrent of social and political commentary, topped off with a thrilling monster-killing adventure. Brilliant, in other words.

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Youngsters from different countries, races, and social background are forced to integrate when they all enroll in Columbus University. They all have their own problems, such as finance, harrassment, personal safety, and self doubt. Additionally, campus life seems to be causing a problem for everyone: racism. Students, already under pressure to perform in the classroom, on the track, or in front of their friends, are strained to the breaking point by prejudice, inexperience, and misunderstanding.

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In Norway on 22 July 2011, right-wing terrorist Anders Behring Breivik murdered 77 young people attending a Labour Party Youth Camp on Utøya Island outside of Oslo. A three-part story. About the survivors of the attacks, the political leadership of Norway, and the lawyers involved.

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A suspenseful and gripping psychological thriller, Lynne Ramsay’s We Need To Talk About Kevin explores the fractious relationship between a mother and her evil son. Tilda Swinton, in a bracing, tour-de-force performance, plays the mother, Eva, as she contends for 15 years with the increasing malevolence of her first-born child, Kevin (Ezra Miller). Based on the best-selling novel of the same name, We Need To Talk About Kevin explores nature vs. nurture on a whole new level as Eva’s own culpability is measured against Kevin’s innate evilness. Ramsay’s masterful storytelling simultaneously combines a provocative moral ambiguity with a satisfying and compelling narrative, which builds to a chilling, unforgettable climax.

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The Phantom, descendent of a line of African superheroes, travels to New York City to thwart a wealthy criminal genius from obtaining three magic skulls which would give him the secret to ultimate power.
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Two friends on a horror-fueled road trip and livestream the most terrifying night of their lives.

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George Michael winds down his 25 Live tour in his first-ever concert film, which finds the former Wham! leading man revisiting hits familiar and fresh in two sold-out shows at London’s Earls Court. Michael’s impeccable vocals take center stage, and his pop-song prowess is driven home with such classics as “Faith,” “Freedom” and “One More Try.” Even “Careless Whisper” gets a nod, as does the Police’s “Roxanne.”

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