Zoe, age 10, is obsessed with making horror films. A deadline for a big horror contest is coming up, and Zoe is determined to win. But when her father, concerned about her increasingly gory activities, orders her to stop making horror films and shoot her sister’s wedding week instead, Zoe has no other choice… To win the contest of her dreams, she will have to turn her sister’s wedding into a horror film.
Writer-director David Hare’s emotional journey of contracting COVID-19, chronicling the delirium of the illness amid the political landscape of the first UK lockdown, as well as his fraught path to recovery. Portrayed by Ralph Fiennes.
For nearly twenty years after his boxing career ended Merle Hench works for Murdoch, the capo of a San Fernando mob outfit. Merle spends his days cracking heads and collecting debts, it is not a job he enjoys. Cool, calm and collected, soft spoken even, Merle’s an anachronism, a man out of place and out of time. His Boss thinks Merle has outlived his usefulness and is expendable. So they set him up to take the fall for a multi-million $ heist of a rival mob boss. A habitual gambler on a 20 year losing streak, Merle’s luck turns as he survives the trap and winds up with a piece of the take and the girl. Merle might have been content to just disappear and spend his windfall with Jacqueline. But the betrayal of his loyalty for 20 years snapped something inside. Merle Hench, otherwise known as the Butcher is slow to anger yet quick to act, he’s learned to live and let live to keep on going, but not this time. Everyone thought his nickname was a joke, what they didn’t know was that Merle …
Maggie (Anjelica Huston) and Ben (Bill Pullman) are middle-aged siblings who don’t care for one another. Although Ben, a perpetual screw up, sold his share of their father’s estate to his sister years ago, he returns hoping to build a house and a new future. With an acquaintance (Julia Stiles) in the Bureau of Land Management ready to falsify records of the original sale, he hashes out a plan to regain the property while smoking joints with good friend Gerry (David Morse). Maggie must decide how to react as sibling rivalries renew. Trouble marks the second feature film for Pulitzer Prize-nominated playwright and novelist Theresa Rebeck (“Mauritius,” “Seminar”); and also serves as a reunion for Huston and Brian d’Arcy James, who both appeared on the Rebeck-created NBC cult TV musical “Smash.”
A group of teenagers must somehow survive the night when they find themselves trapped within a pentagram. To stay inside the candlelit confines means safety; to escape means certain death at the hands of a mysterious entity.
Burdened with unbridled passion, the threesome navigates the “lower city” of tropical Salvador Bahia, stumbling through a treacherous landscape of sex and jealousy. Suffocated and unable to go on, the three must accept one another as lovers, adversaries and ultimately friends; learning to overlook the defiance of their actions and joining one another down an unthinkable path. A startlingly intimate debut from director Sérgio Machado, LOWER CITY bursts with a sensuality and energy emanating from the unflinching performances of the vibrant young cast.
Liverpool, 1978: What starts as a vibrant affair between a legendary femme-fatale, the eccentric Academy Award-winning actress Gloria Grahame, and her young lover, British actor Peter Turner, quickly grows into a deeper relationship, with Turner being the person Gloria turns to for comfort.
When the body of a drifter is discovered the same day a photographer arrives in a small farming community, the local sheriff is left to piece together a string of events that don’t quite add up.
The film follows the relationship between a bullied student, Shelly, whose home life is in shambles, and a wealthy eccentric, Wes, with no friends and issues with women. Things take a turn when Wes offers to become the teen’s guardian.
Aj begins having dreams of his parents’ death. He decides to go back to the spot where they were killed, accompanied by his brother and his brother’s family. But legend has it there is something mysterious roaming these woods.
Set in the British seaside, Beautiful in the Morning is a coming of age story about Marielle, a girl who reconnects with the women in her family over a summer, only for them to be torn apart by the arrival of an intrusive stranger.
The Boo is a Southern-gothic thriller about a bereaved small town sheriff and his recently widowed, estranged, sister-in-law who must acknowledge the external forces they must extinguish to overcome the internal loss of their spouses.
