Feature film inspired by the pranks performed by the comedy troupe The Janoskians.

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When Two rival basketball coaches played as Kirk “Sticky Fingaz” Jones and Khalil Kain fall out over a bad call in a championship game, things only heat up and get steamy and treacherous when Knight Mathews hooks up with the lovely Brooklyn Taylor the cousin of Marcus Knights rival.

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Ibinabo, a nigerian immigrant working as a cashier in a seafood restaurant in New York city, constantly struggles to maintain a social life and an unending pursuit of the American dream.

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A much needed getaway and a celebration weekend turns into a nightmare due to the contagious airborne threat.

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A major stock exchange in the world, Hong Kong attracts not only money but any who try to manipulate the market. At the Hong Kong Police Force Commercial Crime Bureau, an operation is underway to infiltrate a trading company, Feng Hua International where a man, nicknamed “Boss” is the chief suspect. The team, led by Inspector Leung (Lau Ching Wan) together with Yeung (Louis Koo) and Lam (Daniel Wu) install interception devices to monitor the company’s communications. When a crucial information on a surging share was intercepted, a moment of greed led the team in a cross fire between the Bureau and the boss.

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A corporate promotion pushes a suburban dad to choose between creative pursuits and career responsibilities, leading him on an unexpected adventure with surprising consequences for his family.

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When a popular influencer gets kidnapped and held for ransom, she grips the media’s attention by helping the criminals rob luxurious mansions.

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In a world of illegal, high-stakes gambling, Nick owns a run-down plantation house. He is enamored with the smart, tough and charming ace Diana’s intent to win big and is determined to stake her.

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If you have even a passing interest in Stevie Ray Vaughan’s peerless mastery of urban blues guitar, you must own Live at Montreux 1982 & 1985. Spaced almost exactly three years apart, these concerts (60 and 93 minutes, respectively) represent the Texan blues god at his fiery best, with Double Trouble (drummer Chris Layton and bassist Tommy Shannon) laying the solid foundation upon which SRV built a Fender-driven sound as fierce as it was perfectly refined. The ’82 show was truly “success in disguise,” because despite booing from a festival audience lulled by a day of acoustic blues, and the stunned dejection that SRV felt after persevering through a uncompromising set, this was the turning point in SRV’s career, leading to post-show encounters with Jackson Browne and David Bowie, who proved instrumental in bringing Stevie’s music to an appreciative global audience.

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The bodies of beach goers begin washing ashore during the grand opening of a new resort with dire results.

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After buying the perfect suburban home, a couple encounter a stranger who claims to be the real owner of the house. They soon find themselves in a living nightmare as they try to unravel the secrets and lies.

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As a tropical storm beats down on the island of Cebu, two sisters leave work and never make it home… Simultaneously a murder-mystery and an exposé of endemic corruption in the Philippines today, GIVE UP TOMORROW looks intimately at the case of Paco Larrañaga, a student accused of killing two sisters in July 1997. In a way that is both specific to the country and disquietingly universal, the film exposes a Kafkaesque extravaganza populated by flamboyantly crooked public officials, cops on the take, and a frenzied legal and media circus. GIVE UP TOMORROW is also an intimate family drama focused on the near mythic struggle of two angry, sorrowful mothers who have dedicated more than a decade to executing or saving one young man.

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