HBO’s violent men-behind-bars action drama is an addictive, testosterone-driven soap opera for guys packed with murder, suicide, sadism, and savage battles for dominance in the concrete jungle. Hailed as one of the best TV series and the most brutal show on TV! WARNING – THIS SERIES IS VERY ADDICTIVE! One Episode and you will be hooked…
I’ve had my share of TV series, but this has got to be the best ever. Makes Prison Break like kid stuff. Truly, this is TV at its finest! The ultimate men-flick! If your into shows like The Sopranos, Dexter, Deadwood, Lost – you will simply love OZ. Read more on next page.
RATED 9.1 / 10 STARS AT IMDB and 5 STARS at AMAZON
HBO’s violent men-behind-bars drama is an addictive, testosterone-driven soap opera for guys. A massive cast of a vivid characters on both sides of the bars, four or five stories unleashed at a breakneck pace and framed by angry, oddball introductions, and a soaring casualty rate. Created by Homicide producer Tom Fontana, this quickly earned its rightful reputation as the most brutal show on TV. It’s simple chemistry: combine volatile ingredients in a confined space, shut tight, and shake. The yellow brick road of the Oswald Correctional Facility (affectionately known as “Oz” among the inmates) leads to “Emerald City,” an antiseptic cellblock of cement and glass overseen by prison-reform advocate Tim McManus (Terry Kinney). The first episode introduces its two most compelling inmates: meek lawyer Beecher (Lee Terguson), who transforms from a vulnerable lamb to a fearless, drug-addicted wildcat, and Muslim activist Kareem Said (Eamonn Walker), a fiercely non-violent leader whose campaign for reform explodes in a season-climaxing riot. The stunning first-season cast also features Ernie Hudson (the warden), Rita Moreno (a worldly drug-counseling nun), and Edie Falco (who jumped from her role as a single-mother prison guard to mob wife in The Sopranos). It carries no rating, but the drug use, nudity, and brutal violence make this highly inappropriate for young viewers and unsuited to the squeamish. Oz pulls no punches in its portrayal of prison violence and predatory abuse.
This gritty portrait of men behind bars is a testosterone-driven soap opera packed with murder, suicide, sadism, and savage battles for dominance in the concrete jungle. Season 2 opens in the wake of a prison riot that shut down the experimental cell block known as “Emerald City” among the inmates, but it doesn’t take long to build a whole new head of steam after prison reformer Tim McManus (Terry Kinney) reopens the unit. The drug wars pit the Italians against the blacks, the Aryan Brotherhood re-establish their campaign of intimidation, and Alvarez is pushed to desperate measures when he’s ousted by the new Latino leader (Luiz Guzmán). Even more volatile than the physical brutality (this season offers up a bloody blinding and a crucifixion) is the soul-crushing psychodrama played out between vicious Aryan leader Schillinger (J.K. Simmons) and Beecher (Lee Tergeson), the meek lawyer transformed into a drug-addicted wild man by prison’s predatory world and seduced by cold-blooded killer Chris Keller (Law and Order: SVU’s Christopher Meloni).
A volatile men-in-prison soap opera, fueled by testosterone and lubricated by blood, HBO’s Oz is addictive viewing. The third season of the most violent show on cable TV, set in a cage of concrete and steel and glass, opens with echoes of violence past. Miguel Alvarez (Kirk Acevedo) is in solitary confinement for brutally blinding a guard, one-time drug lord Simon Adebissi (Adewale Akinnuoye-Agbaje) mourns for his murdered father, and Tobias Beecher (Lee Tergesen) nurses bones broken by Aryan Brotherhood leader Schillinger (J.K. Simmons) and a heart broken by the betrayal of Keller (Law and Order: SVU’s Christopher Meloni). Their stories of vengeance, redemption, and forgiveness anchor this season. The show races through each episode with a driving pace that only intensifies the ferocity. But for all the show’s physical brutality, the most affecting violence is emotional, from the strange and savage love affair between Beecher and Keller to the escalating war of terror between Beecher and Schillinger. On a lighter note, this season marks the debut of both Miss Sally and new prison CO Sean Murphy (Robert Clohessy), whose understated strength is too often overlooked in the face of the show’s more explosive personalities. Season 3 ends pitched on a powder keg, with the fuse in the hands of the show’s most ferocious, unpredictable character. It’s the kind of promise that will have you slavering for season 4.
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