Each film contains three shorts by different directors, notably Takashi Miike (Audition), Chan-wook Park (Oldboy) and Peter Chan (The Eye). One of the segments in the first film, Dumplings, has been extended into a full length feature film by the respective director which is certainly worth checking out. Both films are quite disturbing, some extremely surreal and for the casual viewer this may become confusing.

Three Extremes
“Dumplings,” is from Hong Kong’s Fruit Chan, and it’s the most cogent (and ickiest) of the bunch. Bai Ling plays a specialist in preparing dumplings that promise to restore youth and health for her customers; the weird part is she also runs a particular clinic on her premises. Ugh. The Korean offering from Park Chan-wook is “Cut,” a warp on filmmaking about a self-centered director who gets trapped at his home (or is it the set of his new movie?) by a deranged former extra.

Three Extremes II
Three constitutes an omnibus package of three short horror films made by Asian directors. “Memories,” made by Kim Ji-Woon, is about a woman (Kim Hye-Soo) who disappears from the home she shares with her husband (Jung Bo-Seog) and children, and ends up in a futuristic city filled with many disturbing hindrances to her finding her way back home. Nonzee Nimibutr’s “The Wheel” contains a puppeteer who is unsuccessful in warning a dance troupe about using cursed puppets. Peter Ho-Sun Chan’s “Coming Home” stars Eric Tsang as a policeman who becomes involved with his neighbors, a married couple who are involved in with some mysterious herbal medications.

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