In 1958, with the impending completion of Tokyo’s TV broadcasting tower as a symbol of Japan’s escalating post-war economic recovery, rural schoolgirl Mutsuko (Maki Horikita) arrives from the provinces to begin her first job with Suzuki Auto. Initially impressed by meeting company “president” Norifumi Suzuki (Shinichi Tsutsumi), Mutsuko is shocked to discover her workplace is actually a shabby auto repair shop in Tokyo’s down-at-heel Yuhi district.

Suzuki is a bad-tempered employer but Mutsuko is welcomed by his wife, Tomoe (Hiroko Yakushimaru), and their impish 5-year-old son, Ippei (Kazuki Koshimizu). One of Ippei’s favorite haunts is a five-and-dime store managed by struggling serial writer Ryunosuke Chagawa (Hidetaka Yoshioka). Regarding now-successful writers like Nobel-prize winner Kenzaburo Oe, as overrated, Chagawa wants to be more than a hack churning out sci-fi yarns and selling cheap toys on the side.

When alluring newcomer Hiromi (Koyuki) opens a sake bar in the area, she gathers clientele quickly – in dramatically compressed manga style — but also finds herself lumbered with Junnosuke (Kenta Suga) the orphaned offspring of the bar’s previous tenant. Drunk, and smitten by Hiromi, Chogawa accepts custodianship of the boy.

4 months after the prequel. Spring, 1959. The Olympics in Tokyo has officially been announced, and Japan is about to take its first step into the period of high economic growth. Still unable to forget Hiromi, who had left without a word, Chagawa has been living with Junnosuke. One day, Kawabuchi returns to take Junnosuke away. Chagawa is given permission to take care of Junnosuke on the condition that the child enjoys an ordinary standard of living, so to obtain a decent living and to show Hiromi that he has become a better man, Chagawa begins to write a literary piece to win the Akutagawa Prize, a dream that he had given up long ago.

Meanwhile, at Suzuki Auto, Mutsuko has learned her job and the company has been growing steadily. One day, a new member joins the Suzuki family. Because a relative of Norifumi’s had gone bankrupt, the Suzukis agree to take in the relative’s daughter, Mika. Norifumi’s son, Ippei, is against the idea, but Norifumi, his wife Tomoe and Mutsuko welcome Mika warmly. However, Mika, who had been brought up in comfortable circumstances, is bewildered by her new life without a maid.

Also, the familiar faces such as Dr. Takuma and Kin at the tobacco store are still around, joined by new members such as Mutsuko’s childhood friend Takeo Nakayama and others, and it appears that the Third Street neighborhood is still bustling with warm-hearted exchange and lively activity.

Tokyo in 1964. The Olympics are set to take place in Tokyo and the country has experienced a period of rapid economic growth. The inhabitants of Third Street live amidst all the change in their usual optimistic ways. Novelist Ryunosuke (Hidetaka Yoshioka) is now married to Hiromi (Koyuki) and they live with Junnosuke (Kenta Suga) who is now in high school. Auto mechanic Norifumi Suzuki (Shinichi Tsutsumi) stills run his mechanic shop across the street with his wife Tomoe (Hiroko Yakushimaru), son Ippei (Kazuki Koshimizu) and employee Mutsuko (Maki Horikita). Their shop has experienced growth over the years. A turning point then occurs for the residents on Third Street …

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