Year 1921. Spain lives a hectic moment: they are the years of lead, fruit of the violent street clashes between thugs and anarchists. Anibal Uriarte is a police officer sent to Barcelona to assist in the arrest of those responsible for the theft of a military train. There he will come into contact with the underworld of Barcelona society and also with the most radical anarchist world, where he will meet Sara.
Scrat’s nutty pursuit of the cursed acorn, which he’s been after since the dawn of time, has world-changing consequences – a continental cataclysm that triggers the greatest adventure of all for Manny, Diego and Sid. In the wake of these upheavals, Sid reunites with his cantankerous Granny, and the herd encounters a ragtag menagerie of seafaring pirates determined to stop them from returning home.
Wow! Shoot ‘Em Up is exactly what it claims to be. An all-out non-stop action movie. Balls to the wall, no holds barred. And that’s exactly what you get! “Shoot Em’ Up” does all that it can to be every kind of action-movie. And it succeeds; staging endless fight after fight in every way imaginable, never repeating itself and quite literally ending with a bang.
Clive Owen stars as “Smith” a guy with a past (that’s slowly revealed during the crazy gun fights) who shows up as a knight in shining armor to a lady who is about to pop a baby and is being chased by baddies, headed up by Paul Giamatti. After he rescues the kid, he links back up with an old flame, DQ, played by Monica Bellucci.
Mean Dreams is a thriller about a fifteen-year-old boy who steals a bag of drug money and runs away with the girl he loves while her corrupt cop father hunts them down. This coming-of-age fable brings together the desperation of life on the run and the beauty and wonder of first love.
Hanna is the famous Korean pop singer. She suffers from having extremely poor self-esteem, as she has been ignored because of her appearance. At last, she makes the decision of a lifetime to have full-body plastic surgery.
A Los Angeles male escort, who mostly caters to an older female clientèle, is accused of a murder which he did not commit.
Over six years in the making, director Na Hong-jin s meticulously crafted follow-up to the globally acclaimed THE YELLOW SEA and THE CHASER (his third to premiere at the Festival de Cannes) smashed box office records upon its debut in South Korea, where fans are already making return viewings to catch new clues and debate what s sure to be the most talked-about ending of 2016.
In this unbelievably tense supernatural thriller, a foreigners mysterious appearance in a quiet, rural village causes suspicion among the locals – suspicion which quickly turns to hysteria as the townspeople begin killing each other in brutal outbursts for seemingly no reason. As the investigating officer watches his daughter fall under the same savage spell, he agrees to consult a shaman for answers – unknowingly escalating the situation into something far more dangerous.
The theme is the founding of the state of Israel. The action begins on a ship filled with Jewish immigrants bound for Israel who are being off loaded on Cyprus. An Intelligence officer succeeds in getting them back on board their ship only to have the harbor blocked by the British with whom they must negotiate. The second part of the film is about the situation in Israel as independence is declared and most of their neighbors attack them.
A special-force agent/police officer is assigned to protect a young woman involved in a science experiment of longevity, from a gangster with an army of advanced technology who desires to obtain her power, while also having connections with him.
A young boy accidentally joins a band of time travelling dwarves, as they jump from era to era looking for treasure to steal.
After a help signal from a research vessel makes it back to Earth, the U.S. Space Force sends a rescue ship to Pandora, a moon of Saturn. But when they try to land, they discover Pandora is inhabited by a highly evolved humanoid species.
An idealistic British drama school teacher, Jodi Rutherford, persuades a cynical South African farmer to prepare her for a role in a major film as an Afrikaans war heroine. In return Jodi undertakes to direct the annual concert on the Willemse farm. Jodi’s interaction with the quirky small town citizens and the stubborn Kobus, teaches her that: “there is more to life than lights… camera… and action!”
